#x98;The#x9C; disappearance of literature Blanchot, Agamben, and the writers of the no

In this book Aaron Hillyer considers the implications of Maurice Blanchot's strange formulation:'Literature is heading to its essence, which is its disappearance.'This quest leads Hillyer to stage a dialogue between the works of Blanchot and Giorgio Agamben. Despite being primary points of reference for literary theory, no significant critical work has examined their'literary'writings together. The Disappearance of Literature initiates this new trajectory through readings of Blanchot's The Unavowable Community and Agamben's The Open, two short books that harbor their most enigmatic writings. A series of related concepts-study, community, mysticism, and friendship-emerges from this pairing, and, Hillyer argues, forms the basis of a new vein of contemporary literature found in the novels and hybrid fictions of Enrique Vila-Matas, Anne Carson, and Cesar Aira. "Aaron Hillyer considers the fate and implications of Maurice Blanchot's enigmatic formulation of literature's future: "Literature is heading to its essence, which is its disappearance." The Disappearance of Literature's primary theoretical objective is to highlight a previously neglected difference between Blanchot's and Agamben's philosophies. These philosophical and literary arguments proceed by examining a series of related concepts: study, sexuality, language, mysticism, and friendship. Despite the fact that Blanchot and Agamben often serve today as primary points of reference for literary theory, no significant critical work has yet examined their works in a sustained dialogue. Hillyer initiates this new trajectory of research through readings of Blanchot's The Unavowable Community and Agamben's The Open, which are followed by encounters with books by contemporary writers Vila-Matas, Aira, and Carson. The juxtaposition of these two different forms of writing (philosophy as literature and literature as philosophy) shows that the new kind of writing analyzed here holds both "literature" and "philosophy" at a certain distance from each other as well as from themselves. The primary means of this distantiation is the gesture of deactivation performed by the act of "study." The narrators and authors examined here often "study" both literature and philosophy in order to remove them from their perilous metaphysical foundations. In this way, Hillyer argues, the "study-novel" emerges as a basic paradigm of the disappearance of literature, a new category of literary creation marked by Agamben's dispute with Blanchot"-- Introduction: Writing of the No Situation, The Non-Place of the Human,The Shadow and the Antidote, Technology and Resistance, Disappearance, Study 1 - Agamben and Blanchot on Desoeuvrement The Open, The Sacred and the Profane, Naked Life, Desoeuvrement, Pataphysics, God, The Great Ignorance, The Teacher and the Student, Mysticism and Writing,The Land of the Magi 2 - The (Para-)Ontology of Disappearance Survival, Bartleby, Inactivity, Image, Resistance of the Object, Invisible Man, Aesthetics, Intransmissibility, Para-Subject, The End of Storytelling, Beyond Good and Evil, Literature as Procedure, Asignifying Word, Mystery, Surprise, Dictator, Gestural Language, Self Slander, "Then the time has come" 3 - The Potential of StudySurvival, The Student Before the Law, The Invisible Door, Study and Resistance, Educative Violence, The Autodidact , The Logic of Sovereignty, Closing the Door of the Law 4 - Toward a Constellation of Literature's Disappearance Neutral Power, Near-death, Neuter, Void, Philopoesis, Linguistic Absolute, Collectivity, Superimposition, Dreams, De-quilting, Light, Awakening, Blindness, With What Words?5 - Anne Carson and the Study of Mysticism Pan Tolmeton, The Dance of Jealousy, Decreation, The FarNear6 - Enrique Vila-Matas and the Self-Study of Writing Irony, Style, Happiness7 - Threshold: The Friendship of Literature Friendship, That Light Notes Index