#x98;Die#x9C; Sprache Shakespeares in Vers und Prosa unter Berücksichtigung des Amerikanischen entwicklungsgeschichtlich dargestellt ; Shakespeare-Grammatik

whose | Vertue, and whose generall graces, speake Ant. \(F_{1}\) p. \(854^{2} \mathrm{II}\), 134 VIII. 447; Not absolute madnesse could so farre have rav'd Cymb. \(F_{1}\) p. \(896^{2}\) IV, 136 VIII. 702; It is not Cælars Naturall vice, to hate Ant. \(F_{1}\) p. \(851^{2} I_{4} 2\) VIII. 428; Abus'd her delicate Youth, with Drugs or Minerals, Oth. \(F_{1}\) p. \(820^{2} I_{2} 74\) VIII. 231; Her opulent Throne, with Kingdomes. All the East, Ant. F F. \(852^{2} I_{5} 46\) VIII. 435; For which my selfe the ignorant motiue, do Ant. \(F_{1}\) p. 854' II \(_{2} 100\) VIII. 445; Thou gau'st me poyson: dangerous Fellow hence, Cymb. F 1 p. \(905^{1} V_{b} 237\) VIII. 749; at thy soueraigne leysure Ant. \(F_{1}\) p. \(851^{1} I_{3} 60\) VIII. 425; By any desperate chango Ant. \(F_{1}\) p. 8511 \(I_{3} 54\) VIII. 425; Deliberate pause: diseases desperate growne | By desperate appliance are releeued, Ham. F \(F_{1}\) p. \(780^{2} \mathrm{IV}_{8} 9\) VII. 524 (3 silbig an letzterer Stelle); No reckoning made Ham. \(F_{2}\) p. \(766^{1} I_{5} 78\) (Q, reckning); Be villany lesse then'twas. Oh Imogen! Cymb. F \(\mathrm{F}_{1}\) p. \(\mathbf{9 0 5}^{1} \mathrm{~V}_{8} 225\) VIII. 749; when I to sulphurous and tormenting Flames Ham. \(F_{1}\) p. \(765^{2} I_{5} 3\) VII. 420 ( \(Q_{8}\) sulphrus); Hath yet a kinde of medicine in itself, Meas. \(\mathrm{F}_{1}\) p. 861 \(\mathrm{II}_{8} 135\) I. 352; The leaperous Distilment; whose effect Ham. \(\mathrm{F}_{1}\) p. \(\mathbf{7 6 6}^{1} \mathrm{I}_{5} 64\) VII. 424 (leaprous \(Q_{2}\) ); But floate vpon a wilde and violent Sea Mob. \(F_{1}\) p. 7631 IV, 21 VII. 340.

This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.

The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.
From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers' authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.

Vorwort Inhalt Abkürzungen Literatur I. Grammatik und Sprachgeschichte Einleitung Schreibung Aussprache Wortbildungslehre Formenlehre Syntax Der bestimmte Artikel Der unbestimmte Artikel Das Substantiv Das Pronomen Das Adjektiv. Substantivierung Das Adjektiv und Adverb beim Prädikatsverb Das Adverb Die Präposition Die Konjunktion Das Zeitwort Kongruenz Wortstellung Mischung in Wort und Satz Rhythmus und Sprachform Frageform Ellipse und Bedeutungswandel Britisches und amerikanisches Englisch Sprachliche Ausstrahlungen des Unterbewußtseins II. Metrik und Rhythmik Von Wilhelm Franz. Previous Eds. Published As: Shakespeare-grammatik. Unveränderter Nachdruck Der 4., überarbeiteten Und Wesentlich Erweiterten Auflage Von 1939. Bibliography: P. [xvii]-xxxx.