Writing Beyond Pen and Parchment: Inscribed Objects in Medieval European Literature (Materiale Textkulturen, 30)

Open Access What can stories of magical engraved rings or prophetic inscriptions on walls tell us about how writing was perceived before print transformed the world? Writing beyond Pen and Parchment introduces readers to a Middle Ages where writing is not confined to manuscripts but is inscribed in the broader material world, in textiles and tombs, on weapons or human skin. Drawing on the work done at the Collaborative Research Centre “Material Text Cultures,” (SFB 933) this volume presents a comparative overview of how and where text-bearing artefacts appear in medieval German, Old Norse, British, French, Italian and Iberian literary traditions, and also traces the paths inscribed objects chart across multiple linguistic and cultural traditions. The volume’s focus on the raw materials and practices that shaped artefacts both mundane or fantastical in medieval narratives offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture often overlooked.

What can stories of magical engraved rings or prophetic inscriptions on walls tell us about how writing was perceived before print transformed the world? Writing beyond Pen and Parchment introduces readers to a Middle Ages where writing is not confined to manuscripts but is inscribed in the broader material world, in textiles and tombs, on weapons or human skin. Drawing on the work done at the Collaborative Research Centre "Material Text Cultures, " (SFB 933) this volume presents a comparative overview of how and where text-bearing artefacts appear in medieval German, Old Norse, British, French, Italian and Iberian literary traditions, and also traces the paths inscribed objects chart across multiple linguistic and cultural traditions. The volume's focus on the raw materials and practices that shaped artefacts both mundane or fantastical in medieval narratives offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture often overlooked.

"In the Middle Ages, writing was not confined to manuscripts, but inscribed in the broader material world, in textiles and tombs, on weapons or human skin. This volume presents the first comparative overview of text-bearing artefacts in medieval German, Old Norse, British, French, Italian, and Iberian literature and offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture." -- Back cover The series Material Text Cultures is the publication organ of the Collaborative Research Center 933 of the same name at Heidelberg University, funded by the German Research Foundation (DFG). The series publishes collections and monographs dedicated to the Collaborative Research Center's main focus of research - that is, the materiality and presence of writing in non-typographic societies.