World War I and America: Told By the Americans Who Lived It (LOA #289)

A landmark anthology of World War I history featuring 127 selections from over 80 Americans—including soldiers, airmen, nurses, and more—who experienced the cataclysmic conflict first-hand. Few Americans appreciate the significance and intensity of America’s experience of World War I, the global cataclysm that transformed the modern world. Published to mark the centenary of the U.S. entry into the conflict, World War I: Told by the Americans Who Lived It brings together a wide range of writings by American participants and observers to tell a vivid and dramatic firsthand story from the outbreak of war in 1914 through the Armistice, the Paris Peace Conference, and the League of Nations debate. The 88 men and women collected in the volume—soldiers, airmen, nurses, diplomats, statesmen, political activists, journalists—provide unique insights into how Americans of every stripe perceived the war, why they supported or opposed intervention, how they experienced the nightmarish reality of industrial warfare, and how the conflict changed American life. Among the writers: war correspondent Richard Harding Davis witnesses the burning of Louvain; Edith Wharton tours the war zones in the Argonne and Flanders; John Reed records the devastation in Serbia and Galicia; diplomats Henry Morgenthau and Leslie Davis report on the extermination of the Armenians; Jane Addams and Emma Goldman warn against militarism; pilots Victor Chapman and Edmond Genet describe flying with the Lafayette Escadrille; infantry officer Hervey Allen recalls the hellish fighting at Fismette; nurses Ellen N. La Motte and Mary Borden depict the “human wreckage” brought into military hospitals; suffragist Carrie Chapman Catt connects the war with the struggle for women’s rights; and Justice Oliver Wendell Holmes considers the limits of free speech in wartime. W. E. B. Du Bois, James Weldon Johnson, and Jessie Redmon Fauset expose the contradiction between the nation’s claim to be fighting for democracy abroad and its brutal treatment of African Americans at home. The international role of the United States is debated in strikingly contemporary terms by Wilson and his critics, as the nation grapples with its emergence as a leading world power. A coda presents three iconic literary works by Ernest Hemingway, E. E. Cummings, and John Dos Passos that capture the postwar disillusionment felt by many Americans. Includes headnotes, a chronology of events, biographical and explanatory endnotes, and an index. For the centenary of America's entry into World War I, A. Scott Berg presents a landmark anthology of American writing from the cataclysmic conflict that set the course of the 20th century. Few Americans appreciate the significance and intensity of America's experience of World War I, the global cataclysm that transformed the modern world. Published to mark the centenary of the U.S. entry into the conflict, World War I: Told by the Americans Who Lived It brings together a wide range of writings by American participants and observers to tell a vivid and dramatic firsthand story from the outbreak of war in 1914 through the Armistice, the Paris Peace Conference, and the League of Nations debate. The eighty-eight men and women collected in the volume--soldiers, airmen, nurses, diplomats, statesmen, political activists, journalists--provide unique insights into how Americans of every stripe perceived the war, why they supported or opposed intervention, how they experienced the nightmarish reality of industrial warfare, and how the conflict changed American life. Richard Harding Davis witnesses the burning of Louvain; Edith Wharton tours the front in the Argonne and Flanders; John Reed reports from Serbia and Bukovina; Charles Lauriat describes the sinking of the Lusitania; Leslie Davis records the Armenian genocide; Jane Addams and Emma Goldman protest against militarism; Victor Chapman and Edmond Genet fly with the Lafayette Escadrille; Floyd Gibbons, Hervey Allen, and Edward Lukens experience the ferocity of combat in Belleau Wood, Fismette, and the Meuse-Argonne; and Ellen La Motte and Mary Borden unflinchingly examine the "human wreckage" brought into military hospitals. W.E.B. Du Bois, James Weldon Johnson, Jessie Fauset, and Claude McKay protest the racist treatment of black soldiers and the violence directed at African Americans on the home front; Carrie Chapman Catt connects the war with the fight for women suffrage; Willa Cather explores the impact of the war on rural Nebraska; Henry May recounts a deadly influenza outbreak onboard a troop transport; Oliver Wendell Holmes weighs the limits of free speech in wartime; Woodrow Wilson envisions a world without war. A coda presents three iconic literary works by Ernest Hemingway, E. E. Cummings, and John Dos Passos. With an introduction and headnotes by A. Scott Berg, brief biographies of the writers, and endpaper maps. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. A collection of 127 first-person narratives by writers such as Richard Harding Davis, Edith Wharton, John Reed, Henry Morgenthau, Leslie Davis, Jane Addams, Emma Goldman, Victor Chapman, Edmond Genet, Hervey Allen, Ellen N. La Motte, Mary Borden, Carrie Chapman Catt, Oliver Wendell Holmes, W.E.B. Du Bois, James Weldon Johnson, Jessie Redmon Fauset, and many more