World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War (Cinema Cultures in Contact Book 4)
معرفی کتاب «World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War (Cinema Cultures in Contact Book 4)» نوشتهٔ Masha Salazkina، منتشرشده توسط نشر University of California Press در سال 2023. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.
A free ebook version of this title is available through Luminos, University of California Presss Open Access publishing program. Visit(http://www.luminosoa.org) www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West. "World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"-- Provided by publisher
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