سینمای جهان و هنرهای تجسمی (فرهنگ و سینما)

‘World Cinema and the Visual Arts’ combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. Originally presented at the American Comparative Literature Association Conference 2010 in New Orleans, the papers of this volume have been expanded and extended from their original points of enquiry, and analyse films from the diverse cultural traditions of China, Germany, the United Kingdom, America, Northern Ireland and India. Front Matter 2 Half Title 2 Title Page 4 Copyright Page 5 TABLE OF CONTENTS 6 PREFACE 8 NOTES ON CONTRIBUTORS 10 LIST OF FIGURES 14 INTRODUCTION 16 Notes 24 Main Matter 26 Chapter 1 PROJECTING A MORE HABITABLE GLOBE: HOLLYWOOD’S YELLOW PERIL AND ITS REFRACTION ONTO 1930s SHANGHAI NATIONAL CINEMA 26 Notes 40 Chapter 2 BERLIN – THE CITY OF SOUND AND SENSATION IN FRITZ LANG’S M AND E. A. DUPONT’S VARIETÉ 44 Notes 61 Chapter 3 BOND’S BODY: DIAMONDS ARE FOREVER, CASINO ROYALE AND THE FUTURE ANTERIOR 66 Notes 82 Chapter 4 WHATEVER YOU SAY, SAY NOTHING 84 Notes 95 Chapter 5 IMPERIAL GAZES, HOLLYWOOD PREDATORS: A CINEMA OF MOLESTATION IN POSTCOLONIAL INDIAN LITERATURE 98 Notes 111 Chapter 6 LINGUISTIC IDENTITY IN FRUIT CHAN’S 1997 TRILOGY 114 Notes 121 Chapter 7 THE POSTNATIONAL AND THE AESTHETICS OF THE SPECTRAL: HOU HSIAO-HSIEN’S FLIGHT OF THE RED BALLOON 124 Notes 132 Chapter 8 THE ART OBJECT AS TEXT IN THE PRACTICE OF COMPARATIVE VISUALITY 134 Notes 151 Chapter 9 EXPLORING IN-HUMANITY: GERTRUDE STEIN’S TENDER BUTTONS AND STILL-LIFE PAINTING 154 Notes 160 Chapter 10 RE-DEFINING ART: MANUEL RIVAS’ MUJER EN EL BAÑO 164 Notes 175 Chapter 11 RE-ENVISIONING THE HAUNTING PAST: KARA WALKER’S ART AND THE RE-APPROPRIATION OF THE VISUAL CODES OF THE ANTEBELLUM SOUTH 178 Notes 185 Back Matter 188 BIBLIOGRAPHY 188 Archive Sources 188 Printed Sources 191 INDEX 198 Introduction Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong Berlin, the city of sound and sensation in Fritz Lang's M and E. A. Dupont's Varieté / Isa Murdock-Hinrichs Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep Whatever you say, say nothing / Anna Zaluczkowska Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y. F. Choy The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park The art object as text in the practice of comparative visuality / Jane Chin Davidson Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi. ‘World Cinema and the Visual Arts'combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions. 'World Cinema and the Visual Arts' combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions