Women Writing Art History in the Nineteenth Century: Looking Like a Woman (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 95)

"This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers."--Publisher This wide-ranging, interdisciplinary study of female art literature and professional networks in the nineteenth century explores work by a range of women writers from George Eliot to Vernon Lee, and repositions women as key agents in the emergence of art history as a separate intellectual field.