Women Writers and Familial Discourse in the English Renaissance: Relative Values (Early Modern Literature in History)

Discussing the role of women writers working in family groups during the sixteenth and seventeenth centuries, this new study explores the development of familial discourse within a chronological frame, commencing with the More family and concluding with the Cavendish group. Filling a gap in Renaissance scholarship, this book explores the way in which the support of family groups enabled women to participate in literary production, but simultaneously closeted them within a form of writing that often encompassed genre, style, rhetoric and theme. Eros And Poetry At The Court Of Mary Queen Of Scots And James Vi Examines The Erotics Of Literary Desire At The Stewart Court In Scotland During The Reigns Of Mary Queen Of Scots And James Vi. Encompassing The Period From The Early 1560s To The Late 1590s, This Is The First Study To Link Together Scottish Marian And Jacobean Court Literature, Presenting A Relatively Unknown Body Of Writing, Newly Theorized And Contextualized. It Argues That In This Period Erotic Poetry Can Only Be Considered In Relation To The Figure Of The Monarch, And That The Formation Of Elite Lyric Culture Takes Place Under The Shaping Influence Of Desire For, And Against, The Sovereign, And Her Or His 'passional' And Symbolic Powers.--jacket. Introduction: Amorous Histories -- From Marian To Jacobean Eros -- Pt. 1. The Marian Period. 1. Feminine Eros: Mary Queen Of Scots And The Emergence Of Desire. 2. Demonic And Angelic Women: The Erotics Of Renunciation And Mariology In The Bannatyne Manuscript -- Pt. 2. The Jacobean Period. 3. Fables Of Eros: James Vi And The Revelation Of Desire. 4. Devotional Artefacts: John Stewart And The Eroticisation Of The Courtly. 5. Love's Altar: Alexander Montgomerie And The Erotics Of Representation. 6. Heretical Love-words: The Poetry Of William Fowler. Conclusion: Love's End. Sarah M. Dunnigan. Includes Bibliographical References And Index. This book explores the development of familial discourse within a chronological frame, commencing with the More family and concluding with the Cavendish group. It explores the way in which the support of family groups enabled women to participate in literary production, whilst closeting them within a form of writing that encompassed style or theme. Through an exploration of key women writers of the early modern period, Marion Wynne-Davies demonstrates the ways in which female authors were both enabled and constrained by the writing traditions and influences within their families. The engagement with and participation in the construction of individual familial discourses is explained via an analysis of six Renaissance families: the Mores, Lumleys, Sidneys/Herberts, Carys and Cavendishes. While the book addresses the writings of male authors from these family groups, such as Sir Thomas More, John Donne, Philip Sidney, Lucius Cary and William Cavendish, its primary focus is on Margaret More/Roper, Gertrude More, Jane Lumley, Mary Wroth, Elizabeth Cary and Jane, Elizabeth and Margaret Cavendish "A Roman triumph was the procession of a victorious general through the city. The festivity combined religious thanksgiving, political legitimation, and carnival release. Early modern England, from the Armada period of the 1580s to the Cromwellian Protectorate in the 1650s, revived and appropriated the Roman model in a wide variety of forms. The result is a characteristic product of early modern culture." "English use of the triumph included ceremonies, stage performances, and poetic or pictorial representations. This book gives particular attention to the researches of humanist antiquarians, the vigorous tradition of pamphlet triumphs, and the literary or dramatic versions produced by Spenser, Marlowe, Shakespeare, Marvell and Milton, as well as by non-canonical writers. It discloses the ways in which all these texts are implicated in contemporary political conflicts and discourses. The book also discusses adaptations such as the subversive triumph of love, the paradoxical triumph of peace, and Christian triumphs of humility and patience."--Jacket Cover......Page 1 Contents......Page 8 Acknowledgements......Page 9 Introduction: Women Writers and Familial Discourse in the English Renaissance......Page 10 1 ‘Though a temporall man, yet your very spirituall father’: The Roper/Basset Line and the Lives of Thomas More......Page 21 2 ‘Sory coumfortlesse Orphanes’: The Rastell/Heywood Line......Page 36 3 ‘Worthy of their blood and their vocation’: The More/Cresacre Line......Page 57 4 Representations of Relations on the Political Stage within the Fitzalan/Lumley Household......Page 72 5 ‘As I, for one, who thus my habits change’, Mary Wroth and the Abandonment of the Sidney/Herbert Familial Discourse......Page 98 6 Sisters and Brothers: Divided Sibling Identity in the Cary Family......Page 113 7 Desire, Chastity and Rape in the Cavendish Familial Discourse......Page 149 Conclusion......Page 179 Notes......Page 183 Bibliography......Page 200 C......Page 209 F......Page 212 G......Page 213 J......Page 214 M......Page 215 P......Page 216 T......Page 217 Y......Page 218 "The advent of relatively cheap printed editions of verse in the mid-sixteenth century produced an explosion of verse, much of which represented the first-person speaker as a version of the author. This book examines the way in which writers, often seeking advancement in their careers, harnessed the powers of verse and print for self-promotional purposes. Close attention to the self-constructions of these writers reveals conflicts and contradictions in available models of the self, as well as doubts about the powers of verse to express the inner self. Texts studied include: an extraordinary manuscript autobiography by Thomas Whythorne; printed verse by a woman, Isabella Whitney; an erotic romance by George Gascoigne, hailed as the first 'novel' in English; little-known but memorable narratives of travel to Russia and Africa, and of the experience of war; and more canonical works by Spenser, Sidney and Shakespeare."--Jacket "Through an exploration of key women writers of the Early Modern period, Marion Wynne-Davies demonstrates the ways in which female authors were both enabled and constrained by the writing traditions and influences within their families. The engagement with and participation in the construction of individual familial discourses is explained via an analysis of six Renaissance families: the Mores, Lumleys, Sidneys/Herberts, Carys and Cavendishes. While the book addresses the writing of male authors from these family groups, such as Sir Thomas More, John Donne, Philip Sidney, Lucius Cary and William Cavendish, its primary focus is on Margaret More/Roper; Gertrude More; Jane Lumley; Mary Wroth; Elizabeth Cary; and Jane, Elizabeth and Margaret Cavendish."--Jacket Eros and Poetry examines the erotics of literary desire at the Stewart court in Scotland during the reigns of Mary, Queen of Scots and James VI. Encompassing the period from the early 1560s to the late 1590s, this is the first study to link together Scottish Marian and Jacobean court literatures, presenting a relatively unknown body of writing, newly theorized and contextualized. It argues that in this period erotic poetry can only be considered in relation to the figure of the monarch, and that the formation of elite lyric culture takes place under the shaping influence of desire for, and against, the sovereign, and her or his 'passional' and symbolic powers