Women Filmmakers in Sinophone World Cinema

Women Filmmakers in Sinophone World Cinema portrays a group of important contemporary women filmmakers working across the Sinophone world including Taiwan, Hong Kong, the mainland, and beyond. The book delineates and conceptualizes their cinematic and trans-media practices within an evolving, multifaceted feminist intimate-public commons. The films by these experienced and emerging filmmakers, including Huang Yu-shan, Yau Ching, Ai Xiaoming, Wen Hui, Huang Ji and others, represent some of the most innovative and socially engaged work in both fictional and non-fictional modes in Chinese-language cinema as well as global women’s cinema. Their narrative, documentary, and experimental film practices from the 1980s to the present, along with their work in sister media such as dance, theater, literature, and contemporary art, their activities as scholars, educators, activists, and film festival organizers or jurors, have significantly reshaped the landscape of Sinophone film culture and expanded the borders of world cinema. Table of Contents Acknowledgements Introduction: Projecting Sinophone Cine-Feminisms 1. Migrating Hearts 2. Floating Light and Shadows 3. From Sidewalk Realism to Spectral Romance 4. Eggs, Stones, and Stretch Marks 5. “Spicy-Painful” Theater of History 6. In Praise of Trans-Asian Sisterhood 7. “We Are Alive” 8. Outcries and Whispers Epilogue Chinese Glossary Bibliography Filmography List of figures Index