Witchfinder General (devil's Advocates)

__Witchfinder General__ (1968), known as __The Conqueror Worm in America__, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life ‘witch hunter’, during the English Civil War. For critic Mark Kermode, the release proved to be ‘the single most significant horror film produced in the United Kingdom in the 1960s’, while playwright Alan Bennett called the work ‘the most persistently sadistic and rotten film I've ever seen’. Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. The author conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's __The Devils__ (1971) and the ‘torture porn’ of twenty-first-century horror. Witch Finder General, Directed By Michael Reeves, Occupies A Unique Place In British Cinema, Praised And Vilified In Equal Measure. This 1968 Production Tells A Fictionalised Version Of The Exploits Of Matthew Hopkins, A Prolific, Real-life 'witch Hunter During The English Civil War. For Critic Mark Kermode It Is 'the Single Most Significant Horror Film Produced In The Uk In The 1960s' While For Playwright Alan Bennett It Was 'the Most Persistently Sadistic And Rotten Film I've Ever Seen'. It Steadily Gained A Cult Reputation, Not Hampered By The Death Of Director Reeves, Aged Just 25, Months After The Film's Release. Hailed As A Landmark Film, It Remains Problematic, Existing In A Number Of Versions, Variously Recut, Retitled And Rescored. This In-depth Study Examines Witch Finder General As A Horror Film, A British Film And An Example Of 'heritage Cinema'. There Is Also Consideration Given To The Historical Figure Of Hopkins, The Source Novel By Ronald Bassett And The Iconic Persona Of The Film's Star, Vincent Price, There Are A Number Of Close Textual Analyses Of Specific Scenes And An Exploration Of The Various Contexts That Inform The Film, From The Creation Of The 'x' Certificate And The Tradition Of Hammer Gothics, To Its On-going Influence On Twenty-first Century Horror Cinema. --book Jacket. Introduction -- The Place Of The Film -- Context, Production And Reception -- Analysis -- The Influence Of The Film -- Bibliography. Ian Cooper. Includes Bibliographical References (p. 101-105).

Witchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror.

"Witchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation, unimpeded by the director's death just months after the film's release, the film is now treated as a landmark, though problematic, accomplishment, as it exists in a number of recut, retitled, and rescored versions. This in-depth study positions the film within the history of horror and discusses its importance as a British and heritage film. It also considers the inheritance of Hopkins, the script's relationship to the novel by Ronald Bassett, and the iconic persona of the film's star, Vincent Price. Ian Cooper conducts close textual readings of specific scenes and explores the film's various contexts, from the creation of the X certificate and the tradition of Hammer Gothic, to the influence on Ken Russell's The Devils (1971) and the "torture porn" of twenty-first-century horror"--Abstract Witchfinder General (1968), known as The ConquerorWorm in America, was directed by Michael Reeves and occupies aunique place in British cinema. Equally praised and vilified, thefilm fictionalizes the exploits of Matthew Hopkins, a prolific,real-life "witch hunter," during the English Civil War. For criticMark Kermode, the release proved to be "the single most significanthorror film produced in the United Kingdom in the 1960s," whileplaywright Alan Bennett called the work "the most persistentlysadistic and rotten film I've ever seen." Steadily gaining a cultreputation, unimpeded by the director's death just months after thefilm's release, the film is now treated as a landmark, thoughproblematic, accomplishment, as it exists in a number of recut,retitled, and rescored versions. This in-depth study positions thefilm within the history of horror and discusses its importance as aBritish and heritage film. It also considers the inheritance ofHopkins, the script's relationship to the novel by Ronald Bassett,and the iconic persona of the film's star, Vincent Price. IanCooper conducts close textual readings of specific scenes andexplores the film's various contexts, from the creation of the Xcertificate and the tradition of Hammer gothic, to the influence onKen Russell's The Devils (1971) and the "torture porn" oftwenty-first-century horror