Whose Harlem Is This, Anyway?: Community Politics and Grassroots Activism during the New Negro Era (Culture, Labor, History, 7)

2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture In Whose Harlem Is This, Anyway? , Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues--such as high rents, jobs, leisure, and police brutality--to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway? , Shannon King demonstrates how, against all odds, the Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History. The Harlem Of The Early Twentieth Century Was More Than Just The Stage Upon Which Black Intellectuals, Poets And Novelists, And Painters And Jazz Musicians Created The New Negro Renaissance. It Was Also A Community Of Working People And Black Institutions Who Combated The Daily And Structural Manifestations Of Racial, Class, And Gender Inequality Within Harlem And Across The City. New Negro Activists, Such As Hubert Harrison And Frank Crosswaith, Challenged Local Forms Of Economic And Racial Inequality. Insurgent Stay-at-home Black Mothers Took Negligent Landlords To Court, Complaining To Magistrates About The Absence Of Hot Water And Heat In Their Apartment Buildings. Black Men And Women, Propelling Dishes, Bricks, And Other Makeshift Weapons From Their Apartment Windows And Their Rooftops, Retaliated Against Hostile Policemen Harassing Blacks On The Streets Of Harlem. From The Turn Of The Twentieth Century To The Great Depression, Black Harlemites Mobilized Around Local Issues -- Such As High Rents, Jobs, Leisure, And Police Brutality -- To Make Their Neighborhood An Autonomous Black Community. In This Book, Shannon King Argues That Harlemite's Mobilization For Community Rights Raised The Black Community's Racial Consciousness And Established Harlem's Political Culture. By The End Of The 1920s, Harlem Had Experienced A Labor Strike, A Tenant Campaign For Affordable Rents, And Its First Race Riot. These Public Forms Of Protest And Discontent Represented The Dress Rehearsal For Black Mass Mobilization In The 1930s And 1940s. By Studying Blacks' Investment In Community Politics, King Makes Visible The Hidden Stirrings Of A Social Movement Deeply Invested In A Black Harlem. The Making Of The Negro Mecca: Harlem And The Struggle For Community Rights -- Not To Save The Union But To Free The Slaves: Black Labor Activism And Community Politics During The New Negro Era -- Colored People Have Few Places To Which They Can Move: Tenants, Landlords, And Community Mobilization -- Maintaining A High Class Of Respectability In Negro Neighborhoods: Contestation And Congregation In Harlem's Geography Of Vice And Leisure During The Prohibition Era -- Demand The Dismissal Of Policemen Who Abuse The Privileges Of Their Uniform: Racial Violence, Police Brutality, And Self-protection -- Conclusion. Shannon King. Includes Bibliographical References (pages 231-245) And Index.