When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock (Alternate Takes: Critical Responses to Popular Music)

When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock 'n' roll 'is the most raucous form of jazz, beyond a doubt.' So why did jazz and rock subsequently become treated as separate genres? The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental differences, but there are other ways popular music history could have been written. By offering a fresh examination of key historical moments when the trajectories and meanings of jazz and rock intersected, overlapped, or collided, it reveals how music critics constructed an ideological divide between jazz and rock that would be replicated in American musical discourse for decades to follow.--Provided by publisher. Introduction : Raucous jazz (Rock is jazz?) -- Jazz culture as a precursor to rock 'n' roll culture -- The dismissal fo rock 'n' roll by jazz critics at Down beat -- The American Jazz Press covers rock -- The birth of Rolling stone -- Newport 1969 and the uneasy coupling of jazz and rock -- Conclusion : the production of history. Matt Brennan. Includes bibliographical references and index. 'When Genres Collide' is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock ǹ' roll "is the most raucous form of jazz, beyond a doubt." So why did jazz and rock subsequently become treated as separate genres? The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental differences, but there are other ways popular music history could have been written. By offering a fresh examination of key historical moments when the trajectories and meanings of jazz and rock intersected, overlapped, or collided, it reveals how music critics constructed an ideological divide between jazz and rock that would be replicated in American musical discourse for decades to follow. Recipient of and Honorable Mention in the PROSE Award, Music & the Performing Arts 2018 When Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone . Writing in 1955, Duke Ellington argued that the new music called rock 'n' roll "is the most raucous form of jazz, beyond a doubt." So why did jazz and rock subsequently become treated as separate genres? The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental differences, but there are other ways popular music history could have been written. By offering a fresh examination of key historical moments when the trajectories and meanings of jazz and rock intersected, overlapped, or collided, it reveals how music critics constructed an ideological divide between jazz and rock that would be replicated in American musical discourse for decades to follow. Recipient of and Honorable Mention in the PROSE Award, Music & the Performing Arts 2018. Cover Contents List of Figures Acknowledgments Introduction: Raucous Jazz (Rock Is Jazz?) 1 Jazz Culture as a Precursor to Rock ‘n’ Roll Culture 2 The Dismissal of Rock ‘n’ Roll by Jazz Critics at Down Beat 3 The American Jazz Press Covers Rock 4 The Birth of Rolling Stone 5 Newport 1969 and the Uneasy Coupling of Jazz and Rock Conclusion: The Production of History Notes Bibliography Index