What Does It Mean to Be Post-Soviet?: Decolonial Art from the Ruins of the Soviet Empire (On Decoloniality)

In __What Does It Mean to Be Post-Soviet?__ Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future. In What Does It Mean To Be Post-soviet? Madina Tlostanova Traces How Contemporary Post-soviet Art Mediates This Human Condition. Observing How The Concept Of The Happy Future—which Was At The Core Of The Project Of Soviet Modernity—has Lapsed From The Post-soviet Imagination, Tlostanova Shows How The Possible Way Out Of Such A Sense Of Futurelessness Lies In The Engagement With Activist Art. She Interviews Artists, Art Collectives, And Writers Such As Estonian Artist Liina Siib, Uzbek Artist Vyacheslav Akhunov, And Azerbaijani Writer Afanassy Mamedov Who Frame The Post-soviet Condition Through The Experience And Expression Of Community, Space, Temporality, Gender, And Negotiating The Demands Of The State And The Market. In Foregrounding The Unfolding Aesthesis And Activism In The Post-soviet Space, Tlostanova Emphasizes The Important Role That Decolonial Art Plays In Providing The Foundation Upon Which To Build New Modes Of Thought And A Decolonial Future. The Decolonial Sublime -- Decolonial Aesthesis And Post-soviet Art -- A Woman Who Has Many Selves And Takes Over Many Spaces : A Conversation With Liina Siib -- Beyond Dependencies : A Talk With Vyacheslav Akhunov, The Lonely Ranger Of Uzbek Contemporary Art -- Reflecting On Time, Space, And Memory With Afanassy Mamedov. Madina Tlostanova. Includes Bibliographical References And Index. Cover 1 Contents 6 Acknowledgments 8 Introduction. A Futureless Ontology? 10 Chapter One. The Decolonial Sublime 34 Chapter Two. Decolonial Aesthesis and Post-Soviet Art 42 Chapter Three. A Woman Who Has Many Selves and Takes Over Many Spaces: A Conversation with Liina Siib 74 Chapter Four. Beyond Dependencies: A Talk with Vyacheslav Akhunov, the Lonely Ranger of Uzbek Contemporary Art 93 Chapter Five. Reflecting on Time, Space, and Memory with Afanassy Mamedov 114 Conclusion. People Are Silent . . . 128 Notes 138 References 144 Index 150 A 150 B 150 C 151 D 151 E 151 F 151 G 151 H 152 I 152 J 152 K 152 L 152 M 152 N 152 O 153 P 153 R 153 S 153 T 154 U 154 V 154 W 154 X 154 Y 154 Z 154 Madina Tlostanova traces how contemporary post-Soviet art mediates the post-Soviet human condition through analyses of art and through interviews with artists and writers, showing the important role that radical art plays in building new modes of thought and a decolonial future.