Voices from the Asylum: Four French Women Writers, 1850-1920 (Oxford Modern Languages and Literature Monographs)

Voices from the Asylum is a fascinating investigation of the lives of four women incarcerated in French psychiatric hospitals in the second half of the nineteenth century. The renowned sculptor (and mistress of Rodin) Camille Claudel, the musician Hersilie Rouy, the feminist activist Marie Esquiron, and the self-proclaimed mystic and eccentric Pauline Lair Lamotte, all left first-hand accounts of their experiences. These rare and unsettling documents provide the foundation for a unique insight into the experience of psychiatric breakdown and treatment from the patient's viewpoint. By linking the question of gender to the process of medical diagnosis made by contemporary clinicians such as Sigmund Freud, this book argues that psychiatric medicine functioned as an integral part of an essentially misogynistic and oppressive society. Wilson suggests that delusional utterances can be read as meaningful when read as metaphorical expressions of real suffering, and as strategies to ensure the survival of a self under threat. These narratives therefore constituted an act of resistance on the part of the women who wrote them, and they prefigure the feminist revisionist histories of psychiatry that appeared later in the twentieth century. Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes an important contribution to the feminist project of writing women back into literary history. It brings to light a remarkable but hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir. This book investigates the lives and writings of four women incarcerated in French psychiatric hospitals in the second half of the nineteenth century and early twentieth century. The renowned sculptor (and mistress of Rodin) Camille Claudel, the musician Hersilie Rouy, the feminist activist Marie Esquiron, and the self‐proclaimed mystic and eccentric Pauline Lair Lamotte, all left first‐hand accounts of their experiences. These rare and unsettling documents provide the foundation for a unique insight into the experience of psychiatric breakdown and treatment from the patient's viewpoint. By linking the question of gender to the process of medical diagnosis made by contemporary clinicians such as Sigmund Freud, this book is a text‐based analysis, which argues that psychiatric medicine functioned as an integral part of an essentially misogynistic and oppressive society. It suggests that partially delusional narratives such as these may be read as metaphorical representations of real suffering. The construction of these narratives constituted an act of resistance by the women who wrote them, and they prefigure the feminist revisionist histories of psychiatry that appeared later in the twentieth century. Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes an important contribution to the feminist project of writing women back into literary history. It brings to light a fascinating but hitherto unrecognized literary tradition in the prehistory of psychoanalysis: the psychiatric memoir Contents List of Abbreviations Note on Presentation Introduction 1. Women’s Writing and Women’s Incarceration: Historical and Theoretical Approaches Psychiatric medicine and the incarceration of women ‘Les écrits des aliéné(e)s’ Literary precedents: validating the ‘insane’ 2. Mémoires d’une aliénée by Hersilie Rouy: ‘Où est la folie là-dedans?’ A voice in isolation A voice in dialogue The asylum as a pathogenic space 3. Marie Esquiron: ‘Ma triste et injuste séquestration’ ‘Je me connais moi-même’: the reasoning hysteric The institutional ‘hysteria’ of the psychiatric profession The interminable narrative: ‘mon internement à perpétuité 4. Pauline Lair Lamotte: ‘Je sens que la vérité est lá’ ‘Le délire d’union avec Dieu’ ‘Le délire de séparation avec Dieu’ The intermediary states: ‘tentation’, ‘sécheresse’, and ‘équilibre’ 5. Camille Claudel: ‘Du rêve que fut ma vie, ceci est le cauchemar’ Camille Claudel to Paul Claudel, before 7 December 1909 Camille Claudel to Dr Michaux, 25 June 1917 or 1918 Conclusion Bibliography Index A B C D E F G H I J K L M N O P Q R S T U V W Z __Voices from the Asylum__By linking the question of gender to the process of medical diagnosis made by contemporary clinicians such as Sigmund Freud, this book argues that psychiatric medicine functioned as an integral part of an essentially misogynistic and oppressive society. Wilson suggests that delusional utterances can be read as meaningful when read as metaphorical expressions of real suffering, and as strategies to ensure the survival of a self under threat. These narratives therefore constituted an act of resistance on the part of the women who wrote them, and they prefigure the feminist revisionist histories of psychiatry that appeared later in the twentieth century.Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes an important contribution to the feminist project of writing women back into literary history. It brings to light a remarkable but hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir. Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes a crucial contribution to the feminist project of writing women back into literary history. It brings to light the hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir.