Vittoria Colonna and the Spiritual Poetics of the Italian Reformation (Catholic Christendom, 1300-1700)

Vittoria Colonna was one of the best known and most highly celebrated female poets of the Italian Renaissance. Her work went through many editions during her lifetime, and she was widely considered by her contemporaries to be highly skilled in the art of constructing tightly controlled and beautifully modulated Petrarchan sonnets. In addition to her literary contacts, Colonna was also deeply involved with groups of reformers in Italy before the Council of Trent, an involvement which was to have a profound effect on her literary production. In this study, Abigail Brundin examines the manner in which Colonna's poetry came to fulfil, in a groundbreaking and unprecedented way, a reformed spiritual imperative, disseminating an evangelical message to a wide audience reading vernacular literature, and providing a model of spiritual verse which was to be adopted by later poets across the peninsula. She shows how, through careful management of an appropriate literary persona, Colonna's poetry was able to harness the power of print culture to extend its appeal to a much broader audience. In so doing this book manages to provide the vital link between the two central facets of Vittoria Colonna's production: her poetic evangelism, and her careful construction of a gendered identity within the literary culture of her age. The first full length study of Vittoria Colonna in English for a century, this book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth-century Italy. It also provides an excellent background and contextualisation to anyone wishing to read Colonna's writings or to know more about her role as a mediator between the worlds of courtly Petrachism and religious reform. Vittoria Colonna was without doubt one of the best known and most highly celebrated female poets of the Italian Renaissance. She was much publicised during her lifetime, and widely considered by her contemporaries to be highly skilled in the art of constructing tightly controlled and beautifully modulated sonnets in the Petrarchan vein. In addition to her literary contacts, Colonna was also deeply involved with reformist groups in Italy before the Council of Trent, an involvement which was to have a profound effect on her poetic production.In this study, Abigail Brundin examines the manner in which Colonna's poetry came to fulfil, in a groundbreaking and unprecedented way, a specifically reformist spiritual imperative, acting as a tool for disseminating an evangelical message to a wide audience reading vernacular literature, and providing a model of spiritual verse which was to be adopted by later poets across the peninsula. She shows how Colonna's poetry, an essentially aristocratic evangelical movement, sought to harness the power of print culture to extend its appeal to a much broader audience. In so doing this book manages to provide the vital link between the two central facets of Vittoria Colonna's production: her spiritual evangelism, and her careful construction of a gendered identity within the literary culture of her age.The first full length study of Vittoria Colonna in English for a century, this book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth century Italy. It also provides an excellent background and contextualisation to anyone wishing to read Colonna's writings or to know more about her role as a mediator between the worlds of courtly Petrachism and religious reform. Contents......Page 6 Series Editor’s Preface......Page 8 Preface......Page 10 Acknowledgements......Page 16 Introduction: Petrarchism, Neo-Platonism and Reform......Page 18 1 The Making of a Renaissance Publishing Phenomenon......Page 32 2 The Influence of Reform......Page 54 3 The Canzoniere Spirituale for Michelangelo Buonarroti......Page 84 4 The Gift Manuscript for Marguerite de Navarre......Page 118 5 Marian Prose Works......Page 150 6 Colonna’s Readers: The Reception of Reformed Petrarchism......Page 172 7 The Fate of the Canzoniere Spirituale......Page 188 Conclusion......Page 208 Bibliography......Page 210 C......Page 232 M......Page 233 R......Page 234 V......Page 235 Vittoria Colonna was one of the best known and most highly celebrated female poets of the Italian Renaissance. She was best known for her skill in constructing tightly controlled and beautifully modulated Petrarchan sonnets. Colonna was also deeply involved with groups of reformers in Italy before the Council of Trent, an involvement which had a profound effect on her literary production. This book will be essential reading for scholars interested in issues of gender, literature, religious reform or the dynamics of cultural transmission in sixteenth-century Italy. It also provides an excellent Vittoria Colonna was one of the best known and highly celebrated female poets of the Italian Renaissance. This book examines the manner in which Colonna's poetry came to fulfil a specifically reformist spiritual imperative, acting as a tool for disseminating an evangelical message to a wide audience reading vernacular literature.