Visualizing Sufism: Studies on Graphic Representations in Sufi Literature - 13th to 16th Century (Islamicate Intellectual History, 10)

Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism--Ibn al-ʿArabī, Aḥmad al-Būnī, Saʿd al-Dīn Ḥamūyeh, al-Shaʿrānī--, and in intellectual networks--Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history. Contributors Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser. ‎Contents 6 ‎Acknowledgements 8 ‎Plates 10 ‎Notes on Contributors 16 ‎Introduction (Martini) 18 ‎Chapter 1. Diagrams and Visionary Experience in al-Būnī’s (d. 622/1225)Laṭāʾif al-ishārāt fī al-ḥurūf al-ʿulwiyyāt (Gardiner) 33 ‎Chapter 2. Illustrating the Forms: Ibn al-ʿArabī’s (d. 638/1240) Images in al-Futūḥāt al-Makkiyya (Karjoo-Ravary) 68 ‎Chapter 3. Visualizing the Architecture of the Universe: Ibn al-ʿArabī’s (d. 638/1240) Diagrams in Chapter 371 of the Meccan Openings (Tyser) 142 ‎Chapter 4. Reading and Reciting the Qurʾan: Calligraphic Spaces in Saʿd al-Dīn Ḥamūyeh’s (d. 649/1252) Kitāb al-Maḥbūb (Alexandrin) 172 ‎Chapter 5. Use of Diagrams in the Ḥurūfī and Nuqṭavī Manuscripts, and Possible Links between the Ḥurūfī ‘Verbal’ and the Bektashi Visual Iconographies (Mir-Kasimov) 209 ‎Chapter 6. Shīrīn Maghribī’s (d. 810/1408) Visual Sufism: Diagrams, Intellectual Networks, and the Transmission of Spiritual Knowledge in 14th Century Tabriz and beyond (Martini) 248 ‎Chapter 7. “Sensible Images”: Pictograms in the Manuscript Transmission of ʿAbd al-Wahhāb al-Shaʿrānī’s (d. 973/1565) al-Mīzān al-kubrā (Kropf) 280 ‎Index 316 Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism--Ibn al-ʻArabī, Aḥmad al-Būnī, Saʻd al-Dīn Ḥamūyeh, al-Shaʻrānī--, and in intellectual networks--Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history. Contributors Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser Visualizing Sufism' approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism - Ibn al-'Arabi, Ahmad al-Buni, Sa'd al-Din Hamuyeh, al-Sha'rani -, and in intellectual networks - Hurufiyya and Bektashiyya, Shirin Maghribi and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history