فرهنگ بصری، میراث و هویت: استفاده از هنر صخره‌ای برای ارتباط دوباره گذشته و حال

Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological approaches to rock paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. On the other hand, however, little research has been done on contemporary uses of rock art. How does ancient rock art heritage influence contemporary cultural phenomena? And how do past images function in the present, especially in contemporary art and other media? In the past, archaeologists usually concentrated more on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, focuses on how this ancient heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, off er attractive and compelling case studies situated in diverse cultural and geographical contexts. Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present sets out a fresh perspective on rock art by considering how ancient images function in the present. In recent decades, archaeological and anthropological approaches to Indigenous paintings and engravings have significantly advanced our understanding of rock art in regional and global terms. Very few publications focus on contemporary uses of rock art heritage, however. How does ancient rock art influence contemporary cultural phenomena, in both Indigenous and non-Indigenous contexts? And how do images from the past function in the present, especially in contemporary art and other media? Archaeologists often concentrate on reconstructing the semantic and social contexts of the ancient images. This volume, on the other hand, also focuses on how this powerful and priceless heritage is recognised and reified in the modern world, and how this art stimulates contemporary processes of cultural identity-making. The authors, who are based all over the world, offer attractive and compelling case studies situated in diverse cultural and geographical contexts. Andrzej Rozwadowski is Associate Professor at the Adam Mickiewicz University in Poznań, Poland, where he also completed his PhD. He is also an honorary Research Fellow of the Rock Art Research Institute at the University of the Witwatersrand (Johannesburg) and has been involved in rock art research since the 1990s. His recent contributions include chapters in A Companion to Rock Art (2012), and The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017). Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD and MPhil in archaeology from the University of Cambridge, and an undergraduate degree in history from the University of Oxford. Prior to Exeter, he held positions at the University of Western Australia and the University of the Witwatersrand (Johannesburg). From 2014–17 he was also a Marie Curie Global Research Fellow at Stanford University and the University of York. He has written more than forty articles on Indigenous rock art and heritage. His most recent book is Rock Art and Regional Identity: a Comparative Perspective (2016). Cover 1 Title Page 3 Copyright page 4 Contents Page 5 A Brief Note about the Editors 6 Using Rock Art to Reconnect Past and Present: An Introduction 7 Andrzej Rozwadowski and Jamie Hampson 7 Indigenous Art in New Contexts: Inspiration or Appropriation? 13 Jamie Hampson and Rory Weaver 13 The Cave of Altamira and Modern Artistic Creation 30 Pilar Fatás Monforte 30 Joane Cardinal–Schubert: Ancient Contemporary 43 Alisdair MacRae 43 Face to Face with Ancestors: Indigenous Codes in the Contemporary Art of Siberia 57 Magdalena Boniec and Andrzej Rozwadowski 57 Contemporary Views on Rock Art from Within the Frame: Indigenous Cultural Continuity and Artistic Engagement with Rock Art 77 Marisa Giorgi and Dale Harding 77 PalimpsGestures: Rock Art and the Recreation of Body Expression 88 PalimpsGestures: Rock Art and the Recreation of Body Expression 88 Lina do Carmo 88 In the Name of the Ancestors: Repainted Identities and Land Memories 97 Laura Teresa Tenti 97 Muraycoko Wuyta’a Be Surabudodot / Ibararakat: Rock Art and Territorialization in Contemporary Indigenous Amazonia – the Case of the Munduruku People from the Tapajos River 112 Jairo Saw Munduruku, Eliano Kirixi Munduruku and Raoni Valle 112 Appropriation, Re-Appropriation, Reclamation: The Re-Use of New Zealand’s Most Renowned Māori Rock Art 126 Gerard O’Regan 126 Reproduction, Simulation and the Hyperreal: A Case Study of ‘Lascaux III’ 2015–2017 138 Robert J. Wallis 138 This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.