تصاویر وین: روایت شهر در سینمای دهه‌های ۱۹۲۰ و ۱۹۳۰ (فرهنگ فیلم در حال گذار)

Vienna, With Its Stunning Architecture And Unforgettable Streetscape, Has Long Provided A Backdrop For Filmmakers. 'visions Of Vienna' Offers A Close Look At How Directors Such As Erich Von Stroheim, Ernst Lubitsch, And Max Ophüls Made Use Of The City, And How The Nostalgic Glorification Of The Habsburg Era Can Be Seen As Directly Tied To Crucial Issues Of Modernity. Films Set In Vienna, Alexandra Seibel Shows, Persistently Articulate The Experience Of Displacement Due To Emigration, Changing Gender Relations And Anti-feminism, Class Distinction, And Anti-semitism, Themes That Run Counter To The Ongoing Mystification Of Vienna As The Incarnation Of Waltz Dreams And Schmaltz. Alexandra Seibel Includes Bibliographical References (pages 235-245) And Index. Contents 1. Introduction: Vienna in Cinema: A Traveling Image, 1920–40 2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim 3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst 4. Women and the Market of Modernity: G.W. Pabst’s The Joyless Street (1925) 5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta 6. Conclusion Acknowledgements Notes Illustration Credits Filmography Bibliography Index of Film Titles Index of Names and Subjects This book offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophüls made use of the city of Vienna, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity. This book offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophuls made use of the city of Vienna, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity.

Anatomy Live demonstrates how the implications of the history of anatomical theatre can be seen at work in the appearance of dancing and acting bodies on stage.