Visiones de Estereoscopio : Paradigma de hibridación en la ficción y el arte de la vanguardia española

This book, written in Spanish, focuses on the literary and artistic works of such avant-garde figures as Ramon Gomez de la Serna, Benjamin Jarnes, Antonio de Obregon, Juan Chabas, Rosa Chacel, Claudio de la Torre, Almada Negreiros, Maruja Mallo, Mauricio Amster, Manuel Reinoso, Diego Rivera, and Angeles Santos y Victorio Macho. It identifies the attempt to integrate conflicting epistemological, ethical, and sociopolitical categories as the organizational principle driving the avant-garde novel and art. Seen as a means of escaping the Cartesian dualism of mind and matter, the conflict between ethical institutionism and utilitarianism, and the opposition of liberalism by socialism, this "middle path" manifests itself in the avant-garde on various levels: the theory of representation, the development of the protagonist, and the concept of history.

This book, written in Spanish, focuses on the literary and artistic works of such avant-garde figures as Ramón Gómez de la Serna, Benjam­n Jarnés, Antonio de Obregón, Juan Chabás, Rosa Chacel, Claudio de la Torre, Almada Negreiros, Maruja Mallo, Mauricio Amster, Manuel Reinoso, Diego Rivera, and Angeles Santos y Victorio Macho. It identifies the attempt to integrate conflicting epistemological, ethical, and sociopolitical categories as the organizational principle driving the avant-garde novel and art. Seen as a means of escaping the Cartesian dualism of mind and matter, the conflict between ethical institutionism and utilitarianism, and the opposition of liberalism by socialism, this "middle path" manifests itself in the avant-garde on various levels: the theory of representation, the development of the protagonist, and the concept of history.

This work focuses on the literary and artistic works of such avant-garde figures as Ramon Gomez de la Serna and Benjamin Jarnes. It identifies the attempt to integrate conflicting epistemological, ethical and sociopolitical categories as the principle driving the avant-garde art and novel.