Virgil on the nature of things : the Georgics, Lucretius, and the didactic tradition

Virgil's agricultural poem, the Georgics, forms part of a long tradition of didactic epic going back to the archaic poet Hesiod. This book explores the relationship between the Georgics and earlier works in the didactic tradition, particularly Lucretius' De Rerum Natura ("On the Nature of Things"). It is the first comprehensive study of Virgil's use of Lucretian themes, imagery, ideas and language; it also proposes a new reading of the poem as a whole, as a confrontation between the Epicurean philosophy of Lucretius and the opposing world views of his predecessors. "The Georgics has for the past twenty years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, Monica Gale shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment."--Résumé de l'éd "The Georgics has for the past twenty years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, Monica Gale shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment."--BOOK JACKET The Georgics has for many years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, it shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment. Content: Cover Half-title Title Copyright Dedication CONTENTS PREFACE ABBREVIATIONS 1 Introduction: influence, allusion, intertextuality 2 Beginnings and endings 3 The gods, the farmer and the natural world 4 Virgil s metamorphoses: mythological allusions 5 Labor improbus 6 The wonders of the natural world 7 The cosmic battlefield: warfare and military imagery 8 Epilogue: the philosopher and the farmer BIBLIOGRAPHY INDEX OF PASSAGES CITED GENERAL INDEX.