Validity in Interpretation

By demonstrating the uniformity and universality of the principles of valid interpretation of verbal texts of any sort, this closely reasoned examination provides a theoretical foundation for a discipline that is fundamental to virtually all humanistic studies. It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are correctly understood. It provides perhaps the first genuinely comprehensive account of hermeneutic theory to appear in English and the first systematic presentation of the principles of valid interpretation in any language. Mr. Hirsch, associate professor of English at the University of Virginia, is the author of __Wordsworth and Schelling__ and __Innocence and Experience: An Introduction to Blake.__ “Here is a book that brings logic to the most unruly of disciplines, literary interpretation. Viewing this subject within the tradition of hermeneutics, Mr. Hirsch is able to trace its origins and development with brilliant insight. The result is a lucidly systemic and authoritative account of the premises and procedures applicable to the interpretation of a literary text. Mr. Hirsch has performed a monumental service thereby that of reinstating the credentials of objectivism and defining the limits of the aesthetics of truth. This study is a necessary took for anyone who wants to talk sense about literature.”—__Virginia Quarterly Review__“Professor Hirsch demonstrates convincingly that objectivity is attainable in humane studies, and that it is not identified with the subject but with the evidence. A valid interpretation is not necessarily a correct one, but one which is more probably than any other on the basis of existing evidence. He makes a subtle and important distinction between a text’s ‘meaning’ (which does not change) and its ‘significance’ (which does), and brilliantly relates meaning to understanding (the necessary preliminary to interpretation) and interpretation to explanation...” In short, this is a work which future students of literary theory cannot afford to neglect.”—__Notes and Queries__E.D. Hirsch, Jr., is professor of English at the University of Virginia.

By demonstrating the uniformity and universality of the principles of valid interpretation of verbal texts of any sort, this closely reasoned examination provides a theoretical foundation for a discipline that is fundamental to virtually all humanistic studies. It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are correctly understood. It provides perhaps the first genuinely comprehensive account of hermeneutic theory to appear in English and the first systematic presentation of the principles of valid interpretation in any language.

Mr. Hirsch, associate professor of English at the University of Virginia, is the author of Wordsworth and Schelling and Innocence and Experience: An Introduction to Blake.

 

“Here is a book that brings logic to the most unruly of disciplines, literary interpretation. Viewing this subject within the tradition of hermeneutics, Mr. Hirsch is able to trace its origins and development with brilliant insight.  The result is a lucidly systemic and authoritative account of the premises and procedures applicable to the interpretation of a literary text.  Mr. Hirsch has performed a monumental service thereby that of reinstating the credentials of objectivism and defining the limits of the aesthetics of truth.  This study is a necessary took for anyone who wants to talk sense about literature.”—Virginia Quarterly Review
“Professor Hirsch demonstrates convincingly that objectivity is attainable in humane studies, and that it is not identified with the subject but with the evidence. A valid interpretation is not necessarily a correct one, but one which is more probably than any other on the basis of existing evidence.  He makes a subtle and important distinction between a text’s ‘meaning’ (which does not change) and its ‘significance’ (which does), and brilliantly relates meaning to understanding (the necessary preliminary to interpretation) and interpretation to explanation...” In short, this is a work which future students of literary theory cannot afford to neglect.”—Notes and Queries
E.D. Hirsch, Jr., is professor of English at the University of Virginia.

By demonstrating the uniformity and universality of the principles of valid interpretation of verbal texts of any sort, this closely reasoned examination provides a theoretical foundation for a discipline that is fundamental to virtually all humanistic studies. It defines the grounds on which textual interpretation can claim to establish objective knowledge, defends that claim against such skeptical attitudes as historicism and psychologism, and shows that many confusions can be avoided if the distinctions between meaning and significance, interpretation and criticism are correctly understood. It provides perhaps the first genuinely comprehensive account of hermeneutic theory to appear in English and the first systematic presentation of the principles of valid interpretation in any language. Mr. Hirsch, associate professor of English at the University of Virginia, is the author of Wordsworth and Schelling and Innocence and Experience: An Introduction to Blake. “Here is a book that brings logic to the most unruly of disciplines, literary interpretation. Viewing this subject within the tradition of hermeneutics, Mr. Hirsch is able to trace its origins and development with brilliant insight. The result is a lucidly systemic and authoritative account of the premises and procedures applicable to the interpretation of a literary text. Mr. Hirsch has performed a monumental service thereby that of reinstating the credentials of objectivism and defining the limits of the aesthetics of truth. This study is a necessary took for anyone who wants to talk sense about literature.”— Virginia Quarterly Review “Professor Hirsch demonstrates convincingly that objectivity is attainable in humane studies, and that it is not identified with the subject but with the evidence. A valid interpretation is not necessarily a correct one, but one which is more probably than any other on the basis of existing evidence. He makes a subtle and important distinction between a text’s ‘meaning’ (which does not change) and its ‘significance’ (which does), and brilliantly relates meaning to understanding (the necessary preliminary to interpretation) and interpretation to explanation...” In short, this is a work which future students of literary theory cannot afford to neglect.”— Notes and Queries E.D. Hirsch, Jr., is professor of English at the University of Virginia. The object of interpretation is textual meaning in and for itself and may be called the meaning of the text. The object of criticism, on the other hand, is that meaning in its bearing on something else (standards of value, present concerns, etc.), and this object may therefore may be called the significance of the text. If textual meaning itself could change, contemporary readers would lack a basis for agreement or disagreement. No one would bother seriously to discuss such a protean object. The interpreter has to distinguish what a text implies from what it does not imply; he must give the text its full due, but he must also preserve norms and limits. For hermeneutic theory, the problem is to find a principle for judging whether various possible implications should or should not be admitted. By classifying the text as belonging to a particular genre, the interpreter automatically posits a general horizon for its meaning. The genre provides a sense of the whole, a notion of typical meaning components. Thus, before we interpret a text, we often classify it as casual conversation, lyric poem, military command, scientific prose, occasional verse, novel, epic, etc. The interpreter's job is to specify the text's horizon as far as he is able, and this means, ultimately, that he must familiarize himself with the typical meanings of the author's mental and experiential world. Hermeneutics must stress the reconstruction of the author's aims and attitudes in order to evolve guides and norms for construing the meaning of the text. Ambiguity or, for that matter, vagueness is not the same as indeterminateness. This is the crux of the issue. To say that verbal meaning is determinate is not to exclude complexities of meaning but only to insist that a text's meaning is what it is and not a hundred other things. Taken in this sense, a vague or ambiguous text is just as determinate as a logical proposition; it means what it means and nothing else