Unsong

"This book saved my life." So recalls the Romanian philosopher E. M. Cioran about a book that meditates on madness and death, the absurdity of existence, and the agony of consciousness. Cioran finds in our darkest fears not only reasons to continue living but also the comic, absurd humor in doing so. This early work by Cioran, whom Susan Sontag calls "the most distinguished figure in the tradition of Kierkegaard, Nietzsche, and Wittgenstein, " and Marc Fumaroli recently described as "a legend...a master of French prose, " portrays the philosophical mind in the crisis of its self-consuming fever. Born out of a terrible insomnia which Cioran characterizes as "a dizzying lucidity which would turn even paradise into hell, " On the Heights of Despair was written in Romania in 1934 at the age of twenty-two. It presents us with the youthful Cioran, who described himself as "a Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair. For Cioran, writing and philosophy are closely related to physical suffering: both share the "lyrical virtues" that alone lead to metaphysical revelation. The result is a book that becomes a substitute for as well as an antidote to suicide. By enacting the struggle of the Romantic soul against God, the universe, and itself, Cioran releases a saving burst of lyrical energy that carries him safely out of his desperation. On the Heights of Despair shows the philosopher's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. Y the bracing verve of Cioran's writing and his earthy good humor point toward the elegant stylist of later works. An exorcism of despair, On the Heights of Despair offers insight into the ironic anguish of this philosophical mind. It also gives readers a fascinating look at Ciora

Born of a terrible insomnia—"a dizzying lucidity which would turn even
paradise into hell"—this book presents the youthful Cioran, a self-
described "Nietzsche still complete with his Zarathustra, his poses, his
mystical clown's tricks, a whole circus of the heights."

On the Heights of Despair shows Cioran's first grappling with
themes he would return to in his mature works: despair and decay,
absurdity and alienation, futility and the irrationality of existence.
It also presents Cioran as a connoisseur of apocalypse, a theoretician
of despair, for whom writing and philosophy both share the "lyrical
virtues" that alone lead to a metaphysical revelation.

"No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."—Bill Marx, Boston Phoenix

"The dark, existential despair of Romanian philosopher Cioran's short
meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard."—Publishers Weekly, starred review

"This is self-pity as epigram, the sort of dyspeptic pronouncement that
gets most people kicked out of bed but that has kept Mr. Cioran going
for the rest of his life."—Judith Shulevitz, New York Times Book
Review

Emil M. Cioran (1911-1995) is the author of numerous works, including
The Fall into Time, A Short History of Decay, and Tears and
Saints..

Publishers Weekly

The dark, existential despair of Romanian philosopher Cioran's short meditations is paradoxically bracing and life-affirming. Written in 1934, when he was 22 and desperately insomniac, this feverishly lyrical, at times slyly humorous confessional outpouring reveals Cioran as an angry young man in morally decaying Europe--a far cry from the elegant, curt stylist of his later books. Here Cioran rails at life's irrationality and absurdities; embraces solitude, melancholy and the awareness of death; and breathes organic vitality into the great philosophical themes of truth, eternity, beauty, suffering and good and evil. After one separates mature wheat from adolescent chaff, Cioran's early philosophical prose, like his later works, puts him in the company of Nietzsche and Kierkegaard. In the enriching introduction, Zarifopol-Johnston, who met the thinker in his modest Paris flat, described this book as ``a substitute for suicide and . . . its cure.'' (June)

"This book saved my life." So recalls the Romanian philosopher E.M. Cioran about a book that meditates on madness and death, the absurdity of existence, and the agony of consciousness. Cioran finds in our darkest fears not only reasons to continue living but also the comic, absurd humor in doing so. This early work by Cioran, whom Susan Sontag calls "the most distinguished figure in the tradition of Kierkegaard, Nietzsche, and Wittgenstein," and Marc Fumaroli recently described as "a legend ... a master of French prose," portrays the philosophical mind in the crisis of its self-consuming fever. Born out of a terrible insomnia which Cioran characterizes as "a dizzying lucidity which would turn even paradise into hell," On the Heights of Despair was written in Romania in 1934 at the age of twenty-two. It presents us with the youthful Cioran, who described himself as "a Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair. For Cioran, writing and philosophy are closely related to physical suffering: both share the "lyrical virtues" that alone lead to metaphysical revelation. The result is a book that becomes a substitute for as well as an antidote to suicide. By enacting the struggle of the Romantic soul against God, the universe, and itself, Cioran releases a saving burst of lyrical energy that carries him safely out of his desperation. On the Heights of Despair shows the philosopher's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. Yet the bracing verve of Cioran's writing and his earthy good humor point toward the elegant stylist of later works. An exorcism of despair, On the Heights of Despair offers insight into the ironic anguish of this philosophical mind. It also gives readers a fascinating look at Cioran's early development, opening new perspectives on his evolution as a writer and thinker Born of a terrible insomnia"a dizzying lucidity which would turn evenparadise into hell"this book presents the youthful Emil Cioran, a self-described "Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." On the Heights of Despair shows Cioran's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to a metaphysical revelation. "No modern writer twists the knife with Cioran's dexterity. . . . His writing . . . is informed with the bitterness of genuine compassion."Bill Marx, Boston Phoenix "The dark, existential despair of Romanian philosopher Cioran's short meditations is paradoxically bracing and life-affirming. . . . Puts him in the company of Nietzsche and Kierkegaard." Publishers Weekly, starred review "This is self-pity as epigram, the sort of dyspeptic pronouncement that gets most people kicked out of bed but that has kept Mr. Cioran going for the rest of his life."Judith Shulevitz, New York Times Book Review