Truth Stranger Than Fiction : Race, Realism, and the U.S. Literary Market Place

Augusta Rohrbach Broadens Our Understanding Of The American Literary Tradition By Showing How African American Literature And Culture Greatly Influenced The Development Of Realism. Rohrbach Traces The Influences Of The Slave Narratives--such As The Use Of Authenticating Details, As Well As Dialect, And A Frank Treatment Of The Human Body--in Writings By Howells, Wharton, And Others, And Explores Questions About The Shifting Relationship Between Literature And Culture In The Us From 1830-1930. Beginning With The Question, “how Might Slave Narratives--heralded As The First Indigenous Literature By Theodore Parker--have Influenced The Development Of American Literature?” Rohrbach Develops Connections Between An Emerging Literary Marketplace, The Rise Of The Professional Writer, And Literary Realism. Truth Stranger And Stronger Than Fiction: Reexamining William Lloyd Garrison's The Liberator -- Making It Real: The Impact Of Slave Narratives On The Literary Marketplace -- The Strange Disappearance Of Rose Terry Cooke And The Eclipse Of American Realism -- William Dean Howells Without His Mustache -- The Manner Of The Marketplace: Edith Wharton As Race Writer -- Keeping It Real: Truth More Marketable Than Fiction? Augusta Rohrbach. Includes Bibliographical References (p. [119]-145) And Index. Using the lens of business history to contextualize the development of an American literary tradition, Truth Stranger than Fiction shows how African American literature and culture greatly influenced the development of realism, which remains one of the most significant genres of writing in the United States. More specifically, Truth Stranger than Fiction traces the influences of generic conventions popularized in slave narratives - such as the use of authenticating details, as well as dialect, and a frank treatment of the human body - in later realist writings. As it unfolds, Truth Stranger than Fiction poses and explores a set of questions about the shifting relationship between literature and culture in the United States from 1830-1930 by focusing on the evolving trend of literary realism. Beginning with the question, 'How might slave narratives - heralded as the first indigenous literature by Theodore Parker - have influenced the development of American Literature?' the book develops connections between an emerging literary marketplace, the rise of the professional writer, and literary realism.