Tropical riffs : Latin America and the politics of jazz

In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals--who often understood jazz to stem from social conditions similar to their own--the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea "In Tropical Riffs Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century. Across Latin America jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film. For Latin American audiences, critics, and intellectuals -- who often understood jazz to stem from social conditions similar to their own -- the profound penetration into the fabric of everyday life of musicians like Duke Ellington, Dizzy Gillespie, and Charlie Parker represented the promises of modernity while simultaneously posing a threat to local and national identities. Brazilian antijazz rhetoric branded jazz as a problematic challenge to samba and emblematic of Americanization. In Argentina, jazz catalyzed discussions about musical authenticity, race, and national culture, especially in relation to tango. And in Cuba, the widespread popularity of Chano Pozo and Dámaso Pérez Prado popularity challenged the United States' monopoly on jazz. Outlining these hemispheric flows of ideas, bodies, and music, Borge elucidates how "America's art form" was, and remains, a transnational project and a collective idea."--Publisher's description Tropical Riffs Contents Acknowledgments Introduction. Kindred Sounds and Latin Cats 1. La Civilizada Selva: ​Latin America and the Jazz Age 2. Dark Pursuits: ​Argentina, Race, and Jazz 3. The Anxiety of Americanization: ​Jazz, Samba, and Bossa Nova 4. The Hazards of Hybridity: Afro-Cuban Jazz, Mambo, and Revolution 5. Liberation, Disenchantment, and the Afterlives of Jazz Conclusion. The Cruelty of Jazz Notes Bibliography Index A B C D E F G H J K L M N O P R S T U V W X Y Z Kindred Sounds And Latin Cats -- La Civilizada Selva: Latin America And The Jazz Age -- Dark Pursuits: Argentina, Race, And Jazz -- The Anxiety Of Americanization: Jazz, Samba, And Bossa Nova -- The Hazards Of Hybridity: Afro-cuban Jazz, Mambo, And Revolution -- Liberation, Disenchantment, And The Afterlives Of Jazz -- The Cruelty Of Jazz. Jason Borge. Includes Bibliographical References And Index. Jason Borge traces how jazz helped forge modern identities and national imaginaries in Latin America during the mid-twentieth century, showing how throughout the region, jazz functioned as a conduit through which debates about race, sexuality, nation, technology, and modernity raged in newspapers, magazines, literature, and film.