Translating Troy: Provincial Politics In Alliterative Romance (interventions: New Studies Medieval Cult)

For Geoffrey Chaucer And Many Of His Contemporaries, The Literary Life Of England Began In Ancient Troy. In Translating Troy: Provincial Politics In Alliterative Romance, Alex Mueller Explores Middle English Alliterative Romances That Challenge This Genealogical Fantasy And Decentralize Troy As The Eastern Origin Of Western Authority. Until The Sixteenth Century, The Trojans Were Widely Believed To Be The Ancestors Of The English People: The Destruction Of Troy Led To The Birth Of Rome And Eventually The Foundation Of A New Troy In Britain. In The Fourteenth And Fifteenth Centuries, The Fall Of Troy Was Such A Popular Subject That The Production Of Troy Books Became An Industry In Itself. Influenced By The Skeptical Historiography Of Guido Delle Colonne, The Provincial Romances Mueller Investigates Resist The Pervasive Fashion To Envision England As The Inheritor Of Imperial Power. Translating Their Latin Sources Into Concussive Verse Well Suited For The Rhythm, Pace, And Spectacular Violence Of Battle, The Poems Belie Enthusiasm About Trojan Ancestry Through Critiques Of The Chivalric Practices Cherished By The Metropolitan Nobility. The Consistency Of Their Metrical Choice, Militaristic Subjects, And Anti-imperialistic Sentiment Suggest That These Northern Romances Emerged From A Trojan Word-hoard Of Provincial Skepticism Toward Aristocratic Claims To Sovereignty.--back Cover. Translating Destruction Into Alliterative Romance -- Genealogy : Trojan Historiography In England -- War : Reviving Troy -- Violence : The Corporeal Terror Of The Roman Empire -- Heraldry : Arthur's Roman Dragon -- Territory : The Trojan Provinces Of Britain -- Conclusion. Alliterating England. Alex Mueller. Includes Bibliographical References (p. 229-245) And Index. For Geoffrey Chaucer and many of his contemporaries, the literary life of England began in ancient Troy. In this book, the author explores Middle English alliterative romances that challenge this genealogical fantasy and decentralize Troy as the eastern origin of western authority. Until the sixteenth century, the Trojans were widely believed to be the ancestors of the English people: the destruction of Troy led to the birth of Rome and eventually the foundation of a New Troy in Britain. In the fourteenth and fifteenth centuries, the fall of Troy was such a popular subject that the production of Troy books became an industry in itself. Products of a northern network of alliterative poets, the poems investigated here resist the pervasive fashion to envision England as the inheritor of imperial power. Translating their Latin sources into concussive verse well suited for the rhythm, pace, and spectacular violence of battle, the poems belie enthusiasm about Trojan ancestry through critiques of the chivalric practices cherished by the metropolitan nobility. The consistency of their metrical choice, militaristic subjects, and anti-imperialistic sentiment suggest that these northern romances emerged from a Trojan word-hoard of provincial skepticism toward aristocratic claims to sovereignty Contents List of Illustrations Acknowledgments Introduction: Translating Destruction into Alliterative Romance 1 Genealogy: Trojan Historiography in England 2 War: Reviving Troy 3 Violence: The Corporeal Terror of the Roman Empire 4 Heraldry: Arthur’s Roman Dragon 5 Territory: The Trojan Provinces of Britain Conclusion: Alliterating England Works Cited Index