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Transatlantic Fictions of 9/11 and the War on Terror: Images of Insecurity, Narratives of Captivity (New Horizons in Contemporary Writing)

معرفی کتاب «Transatlantic Fictions of 9/11 and the War on Terror: Images of Insecurity, Narratives of Captivity (New Horizons in Contemporary Writing)» نوشتهٔ Susana Araújo, Bryan Cheyette, Martin Paul Eve، منتشرشده توسط نشر Bloomsbury Academic در سال 2015. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

"Extending the study of post-9/11 literature to include transnational perspectives, this book explores the ways in which contemporary writers from Europe as well as the USA have responded to the attacks on the World Trade Center and the ensuing "war on terror." Transatlantic Fictions of 9/11 and the War on Terror demonstrates the ways in which contemporary fiction has wrestled with anxieties about national and international security in the 21st century. Reading a wide range of novels by such writers as Amy Waldman, Michael Cunningham, Frédéric Beigbeder, Ian McEwan, Joseph O'Neill, Moshin Hamid, José Saramago, Ricardo Menén˜dez Salmón, J.M. Coetzee, and Salman Rushdie, Susana Araújo explores how the rhetoric of the "war on terror" has shaped recent representations of the city and how "security" discourses circulate both transatlantically and transnationally. By focussing not only on 9/11 but on the way subsequent events such as the wars in Afghanistan and in Iraq are represented in fiction, this book demonstrates how notions of "terror" and "insecurity" have been absorbed, critiqued, or reworked by novelists from the US and Europe as well as by writers whose work focusses on the role of transatlantic relations as part of wider pressures and global configurations of power."--Bloomsbury Publishing. "Extending the study of post-9/11 literature to include transnational perspectives, this book explores the ways in which contemporary writers from Europe as well as the USA have responded to the attacks on the World Trade Center and the ensuing "war on terror." Transatlantic Fictions of 9/11 and the War on Terror demonstrates the ways in which contemporary fiction has wrestled with anxieties about national and international security in the 21st century. Reading a wide range of novels by such writers as Amy Waldman, Michael Cunningham, Frďřic Beigbeder, Ian McEwan, Joseph O'Neill, Moshin Hamid, Jos ̌Saramago, Ricardo Menňdez Salmn̤, J.M. Coetzee, and Salman Rushdie, Susana Araj︢o︣ explores how the rhetoric of the "war on terror" has shaped recent representations of the city and how "security" discourses circulate both transatlantically and transnationally. By focussing not only on 9/11 but on the way subsequent events such as the wars in Afghanistan and in Iraq are represented in fiction, this book demonstrates how notions of "terror" and "insecurity" have been absorbed, critiqued, or reworked by novelists from the US and Europe as well as by writers whose work focusses on the role of transatlantic relations as part of wider pressures and global configurations of power."--Bloomsbury Publishing Extending the study of post-9/11 literature to include transnational perspectives, this book explores the ways in which contemporary writers from Europe as well as the USA have responded to the attacks on the World Trade Centre and the ensuing 'war on terror.' Transatlantic Fictions of 9/11 and the 'War on Terror' demonstrates the ways in which contemporary fiction has wrestled with anxieties about national and international security in the 21st century. Reading a wide range of novels by such writers as Amy Waldman, Michael Cunningham, Frédéric Beigbeder, Ian McEwan, Joseph O'Neill, Moshin Hamid, José Saramago, Ricardo Menéndez Salmón, J.M. Coetzee and Salman Rushdie, Susana Araújo explores how the rhetoric of the 'war on terror' has shaped recent representations of the city and how security discourses circulate transatlantically and transnationally. By focusing not only on 9/11 but also on the way subsequent events such as the wars in Afghanistan and in Iraq are represented in fiction, this book demonstrates how notions of terror and insecurity have been absorbed, reworked or critiqued in fiction. Araújo examines to what extent transatlantic relations have reinforced or challenged new fictions of white western middle class captivity.-- Provided by Publisher Cover Half-title Title Copyright Dedication Contents Acknowledgments 1. Introduction: Images of Terror, Narratives of (In)security 2. The New “New York Novel”: The Epicenter and Its Reverberations 3. Early Transatlantic Projections: Frédéric Beigbeder and Ian McEwan 4. Democratic Vistas: Michael Cunningham and Walt Whitman 5. Cosmopolitan Attempts: Joseph O’Neill and Mohsin Hamid 6. Terror in the European Periphery: Ricardo Menéndez Salmón and José Saramago 7. Beyond the Transatlantic Nexus: Salman Rushdie and J.M. Coetzee 8. Transatlantic Fictions: Captivity, Security, and Futurity Notes Bibliography Index
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