Traductores y traducciones en la historia cultural de América Latina

Luz Fernández De Alba. Includes Bibliographical References (p. 129-131). Researchers Castro Ricalde and McKee present a documental work covering sources from the United States, México, Cuba, Argentina, Venezuela, Colombia, Spain and Serbia to account for the complex development of the Mexican cinematographic industry in the first half of the 20th century and its efforts to establish a national identity myth designed for local consumer commercialization and powerful enough to stand against Hollywood dominance. The study spans 2 decades from the first sound movie Santa (1932) to 1955, when the "Mexican cinema of the "Golden Age" had a preponderant role in the formation of a common cultural identity and the relationships developed all along the country. The feeling of being part of nation was fortified with this industry that was able to homogenize the way in which a large part of the population perceived themselves. This has been one of the aspects that caused the most interest at a national and international level."--Introduction Francisco Hinojosa Margaret Atwood Roy Blount, Jr. John Fowles Joyce Carol Oates Josef Skvorecký John Updike René Avilés Fabila Rubén Loza Aguerrebere Guillermo Samperio Juan Bonilla Pablo Brescia Inés Manilow José Emilio Pacheco Thomás Rivera Mempo Giardinelli Alvaro Uribe Breyten Breytenbach Alina Diaconú Luis Alberto Lecuna Rodrigo Fresán John Barth Ricardo Piglia Stanislaw Lem Carlos Fuentes Alfonso Reyes Marco Antonio Campos Italo Calvino Octavio Paz Juan José Saer Margo Glantz Juan Garía Ponce Angela Carter Pierre Drieu La Rochelle Julio Cortázar Guillermo Cabrera Infante Julian Barnes Abelardo Castillo Enrique Anderson Imbert Héctor Libertella Hernán Lara Zavala Ignacio Solares Augusto Monterroso Alejandro Rossi Noé Jitrik Mario Vargas Llosa Susan Sontag Umberto Eco Juan José Arreola Antonio Tabucchi.