Tracking the Banished Immortal : The Poetry of Li Bo and Its Critical Reception

Li Bo (701-762) has long inspired controversy among readers and critics. Known even during his lifetime as the "Banished Immortal," he continues to spark imaginations and challenge passionately held convictions about poetic values. In this lucid and gracefully written volume, Paula Varsano presents the first full-length study of Li Bo in English in half a century and the first extended look at the poet's critical reception. Persuaded that the essence of his poetry lay well beyond the reach of the usual modes of study and description, readers from the ninth to the twentieth century developed a particularly dynamic critical language. Varsano shows how this language, evolving out of the critical concepts of "emptiness" and "substance," answered the need to conceptualize shifting parameters of poetic creativity over hundreds of years. At the same time, she offers an account of Li Bo's entry into the canon and asks how this in turn transformed both the reception of his work and the transmission of his poetic persona. This story of Li Bo's critical reception and canonization is propelled by the malleable and elusive ideal of the "ancient." And so, Varsano devotes the second part of her study to the poems themselves, investigating those poetic manifestations of ancientness that translated into the enduring figure of the Banished Immortal. "Li Bo (701-762), the poet who "could make the spirits weep and the ghosts shed tears," has long inspired controversy among readers and critics. Known even during his lifetime as the "Banished Immortal," he continues to spark imaginations, challenge passionately held convictions about poetic values, and maintain, alongside Du Fu, his position as "one of China's two greatest poets." In this lucidly and gracefully written volume, Paula Varsano presents the first full-length study of Li Bo in English in half a century and the first extended look at the poet's critical reception. Persuaded that the essence of his poetry lay well beyond the reach of the usual modes of study and description, readers from the ninth to the twentieth century developed a particularly dynamic critical language. Varsano shows how this language, evolving out of the critical concepts of "emptiness" and "substance," answered the need to conceptualize shifting parameters of poetic creativity over hundreds of years. At the same time, she offers an account of Li Bo's entry into the canon and asks how this in turn transformed both the reception of his work and the transmission of his poetic persona. This story of Li-Bo's critical reception and canonization is propelled by the malleable and elusive ideal of the "ancient." And so, Varsano devotes the second part of her study to the poems themselves, investigating those poetic manifestations of ancientness that translated into the enduring figure of the Banished Immortal. Through close readings of his poems, she demonstrates how play and performance paradoxically augment the ancient values of expressive immediacy and genuineness." -- Jacket

Darkness and Desire, 1804-1864, is the third volume in a monumental new series-the first collection of kabuki play translations to be published in nearly a quarter of a century. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era.

The fourteen plays translated in Volume 3, Darkness and Desire, 1804-1864, mark an extreme point in the development of kabuki dramaturgy. The plays are remarkable, even within kabuki, for their intense theatricality, gutsy individualism of character, cold-blooded and ferocious violence, realism pushed into fantasy and grotesquery, novelty for its own sake, sexual aggressiveness, and assertion of female will. The plays depict a society in extremis, the end of an era, a time often marked by unmitigated darkness and desire.

Contents Acknowledgments Introduction I: READING THE CRITICS 1. Finding Substance in Emptiness: Tracking the Immortal, Mid-Tang through Ming 2. To Study the Unlearnable: Li Bo in the Canon, Ming to Early Republic II: READING THE POEMS 3. The Performance of Ancientness in the ‘‘Ancient Airs’’ 4. The Yuefu: The Anatomy of an Unfettering 5. Alluding to Immediacy 6. Epilogue: Li Bo Remembering and Remembered Abbreviations Notes Character Glossary Bibliography Index About the Author