To Speak in Pairs: Essays on the Ritual Languages of eastern Indonesia (Cambridge Studies in Oral and Literate Culture, Series Number 15)

This collection of essays is a major contribution to the study of oral composition and ritual communication, and in particular to the use of 'parallelism' (the poetic ordering of words and phrases in alternative, duplicate form). The introduction by James J. Fox sets the topic in historical perspective, beginning with Robert Lowth's introduction of the term 'parallelism' in 1753 in his study of biblical language, demonstrating that what was once viewed as a form of composition unique to Ancient Hebrew is a feature common to many literatures around the world. The volume thus presents a remarkable picture of life in eastern Indonesia, which is both valuable in itself and useful for comparative analysis. All of the essays contain original texts with translations, together with detailed commentaries on their content and the context of their performance. The study of parallelism and its use in situations of formal communication has been receiving increasing attention from anthropologists, linguists, and all those interested in oral literature, as a topic of real theoretical and ethnographic interest. To Speak in Pairs represents an important advance in the study of oral literature in context. These original essays study ritual language and parallelism (the strict ordering of words and phrases in alternative, duplicate form). The introduction puts the topic in historical perspective and what was once viewed as a composition form unique to ancient Hebrew is now seen as a feature common to literatures around the world. Here is the first book to compare in detail living traditions of parallel composition. Yet, despite the diversity of languages discussed by the contributors, their materials are drawn from a single cultural area still unknown to most specialists: Eastern Indonesia. All the essays contain original texts with translations and with detailed commentary on both content and context. Material for a detailed analysis of parallel composition, once viewed as a linguistic form unique to ancient Hebrew, but now seen as common to literatures around the world, is drawn from the culture of Eastern Indonesia.