توماس هاردی: تصور تخیل در شعر و داستان‌های هاردی

The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspection's, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude. The themes and forms examined by Barbara Hardy include narrative, conversation, gossip, memory, gender, poetry of place and imaginative thresholds. Altogether the study is a lucid and accessible introduction, which locates Hardy's place in the tradition of English literature. MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict MuPDF error: syntax error: invalid key in dict Contents 8 Acknowledgements 9 References 10 Introduction 12 1. Portraits of the Artist in the Novels 16 2. Centres of Creativity in the Novels 44 3. Good Times injude the Obscure: Constructing Fictions 68 4. Portraits of the Artist in the Poems 94 5. Arts of Conversation 117 6. The Poetry of Place 149 7. Sexual Imagination: the Monologues 171 8. Thresholds and Limits 190 Inside and Outside 190 Human Beings and Others 204 The Supernatural 213 Reticence 220 Notes 229 Select Booklist 233 Index 234 A 234 B 234 C 234 D 234 E 234 F 234 G 234 H 234 I 235 J 235 K 235 L 235 M 235 O 235 P 235 R 235 S 235 T 235 V 235 W 235 Y 235 The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers whose subject is not art but imagination and whose most interesting aesthetic introspections, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude.The themes and forms examined by Barbara Hardy include narrative, conversation, gossip, memory, gender, poetry of place and imaginative thresholds. Altogether the study is a lucid and accessible introduction, which locates Hardy's place in the tradition of English Literature. The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspectionÆs, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude.The themes and forms examined by Barbara Hardy include narrative, conversation, gossip, memory, gender, poetry of place and imaginative thresholds. Altogether the study is a lucid and accessible introduction, which locates Hardy's place in the tradition of English literature. The author offers close readings of Thomas Hardy's poetry and novels, regarding these as expressive forms of everyday and professional acts of the imagination. Hardy is placed in the long tradition of writers who subject is not art but imagination and whose most interesting aesthetic introspectionÆs, like those of Jane Austen and George Eliot, are oblique or sub-textual. So what the reader follows here is Hardy's imagining of imagination in his elegies and nature poems and in his major characters from Gabriel Oak to Tess and Jude. The themes and forms examined by Barbara Hardy include narrative Portraits Of The Artist In The Novels -- Centres Of Creativity In The Novels -- Good Times In Jude The Obscure: Constructing Fictions -- Portraits Of The Artist In The Poems -- Arts Of Conversation -- The Poetry Of Place -- Sexual Imagination The Monologues -- Thresholds And Limits. Inside And Outside ; Human Beings And Others ; The Supernatural ; Reticence. Barbara Hardy. Includes Bibliographical References (p. [222]) And Index. The themes and forms examined by the author, in this volume, include narrative, conversation, gossip, memory, gender, poetry of place and imaginative threshold of Hardy's elegies and major poems and in his major characters