This ain't the summer of love : conflict and crossover in heavy metal and punk

This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. __This Ain't the Summer of Love__ traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history. Contents Illustrations Acknowledgments Introduction: The Metal/Punk Continuum 1 Staging the Seventies: Arena Rock, Punk Rock 2 Death Trip: Alice Cooper, Iggy Pop, and Rock Theatricality 3 The Teenage Rock ’n’ Roll Ideal: The Dictators and the Runaways 4 Metal, Punk, and Motörhead: The Genesis of Crossover 5 Time Warp: The New Wave of British Heavy Metal 6 Metal/Punk Reformation: Three Independent Labels 7 Louder, Faster, Slow It Down! Metal, Punk, and Musical Aesthetics Conclusion: Metal, Punk, and Mass Culture Notes Bibliography Discography Index