Thinking Through Crisis: Depression-Era Black Literature, Theory, and Politics (Commonalities)

Winner, 2020 William Sanders Scarborough Prize, Modern Language Association Honorable Mention, MSA First Book Prize In Thinking Through Crisis, James Edward Ford III examines the works of Richard Wright, Ida B. Wells, W. E. B. Du Bois, Zora Neale Hurston, and Langston Hughes during the 1930s in order to articulate a materialist theory of trauma. Ford highlights the dark proletariat’s emergence from the multitude apposite to white supremacist agendas. In these works, Ford argues, proletarian, modernist, and surrealist aesthetics transform fugitive slaves, sharecroppers, leased convicts, levee workers, and activist intellectuals into protagonists of anti-racist and anti-capitalist movements in the United States. Thinking Through Crisis intervenes in debates on the 1930s, radical subjectivity, and states of emergency. It will be of interest to scholars of American literature, African American literature, proletarian literature, black studies, trauma theory, and political theory. Thinking through Crisis turns to 1930s African American literature to offer a critical response to Trauma Theory. This theoretical discourse carries a nostalgia for “European Man” that limits its understanding of racial and class antagonisms. Consequently, its version of “bearing witness” yields a political passivity that cannot address the injustices of racism as they are linked to class conflict. Against the political passivity produced by this idealist approach, this book offers a materialist theory of trauma that develops concepts for identifying the agency that Black life produces amid social breakdown.