آنها مرا نخواهند داشت: (Ils ne m'auront pas): دستگیری، کار اجباری و فرار یک زندانی فرانسوی در جنگ جهانی دوم

The French painter Jean Hélion's unique and deeply moving account of his experiences in Nazi prisoner-of-war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Hélion's infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, “They shall not have me!” but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Hélion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Hélion's picture of almost two years without his art is a self-portrait of the artist as a man. The French painter Jean Helion's unique and deeply moving account of his experiences in Nazi prisoner-of-war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Helion's infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, "They shall not have me!" but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Helion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Helion's picture of almost two years without his art is a self-portrait of the artist as a man A French painter-turned-soldier’s memoir of a Nazi prisoner-of-war camp and “one of the most sensational escapes from the Nazis in World War II” (Time). French painter Jean Hélion was friends with the likes of Mondrian, Giacometti, and Balthus, and had a role in shaping the path of modern art. But when Hélion’s infantry platoon was captured by the German army and sent to hard labor, Hélion was forced to live without his art. They Shall Not Have Me is Hélion’s account of the prisoner-of-war camp: the sights, sounds, smells, the captors, and the captured. After almost two years, Hélion succeeded in a daring escape to freedom. According to American poet John Ashbery, Hélion’s “account of his adventures in captivity is both terrifying and funny, somewhat in the vein of Tarantino’s film Inglorious Basterds. A best-seller after it was published in America while the war was still raging, it has remained for many, including Helion’s legions of admirers in both France and the United States, a one-of-a-kind classic.” INDIVIDUAL ARTISTS. A daring story of imprisonment and escape under the Nazi regime and a moving and engrossing symbol of resilience and integrity. The French painter Jean Helion's unique and deeply moving account of his experiences in Nazi prisoner of war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Helion's infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, "They shall not have me!" but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Helion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured A daring story of imprisonment and escape under the Nazi regime and a moving and engrossing symbol of resilience and integrity. The French painter Jean Hélion's unique and deeply moving account of his experiences in Nazi prisoner of war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Hélion's infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run,?They shall not have me!" but are quickly