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Autobiography is given a new form, at once subjective & impersonal, private & collective, in Annie Ermaux’s genre-bending masterpiece. Translated by Alison L Strayer.The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past & present, photos, books, songs, radio, television, advertising, & news headlines. Local dialect, words of the times, slogans, brands & names for ever-proliferating objects are given voice. The author’s voice continually dissolves & re-emerges as Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity.Though Annie Ernaux had for years been hailed as a beloved, bestselling & award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations & a story of generations telling a very personal story."The Years is an earnest, fearless book, a Remembrance of Things Past for our age of media domination & consumerism, for our period of absolute commodity fetishism." — Edmund White, The New York Times Book ReviewAnnie Ernaux is a French writer. She won the Prix Renaudot in 1984 for her bookLa Place, an autobiographical narrative focusing on her relationship with her father & her experiences growing up in a small town in France, & her subsequent process of moving into adulthood & away from her parents' place of origin.°°°The author of some 20 works of fiction & memoir, ANNIE ERNAUX is considered by many to be France’s most important writer. In 2022, she was awarded the Nobel Prize in Literature. She has also won the Prix Renaudot for A Man's Place & the Marguerite Yourcenar Prize for her body of work. More recently she received the International Strega Prize, the Prix Formentor, the French-American Translation Prize, & the Warwick Prize for Women in Translation for The Years,... *Shortlisted for the 2019 Man Booker International Prize* Co-winner of the 2018 French-American Foundation Translation Prize in Nonfiction Winner of the 2017 Marguerite Yourcenar Prize for her entire body of work Winner of the 2016 Strega European Prize Considered by many to be the iconic French memoirist's defining work, The Years was a breakout bestseller when published in France in 2008, and is considered in French Studies departments in the US as a contemporary classic. The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns." WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE Shortlisted for the 2019 Man Booker International Prize Considered by many to be the iconic French memoirist's defining work and a breakout bestseller when published in France in 2008 The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from 6 decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns." Co-winner of the 2018 French-American Foundation Translation Prize in Nonfiction Winner of the 2017 Marguerite Yourcenar Prize for her entire body of work Winner of the 2016 Strega European Prize Available In English For The First Time, The Latest Astonishing, Bestselling, And Award-winning Book By Annie Ernaux. The Years Is A Personal Narrative Of The Period 1941 To 2006 Told Through The Lens Of Memory, Impressions Past And Present -- Even Projections Into The Future -- Photos, Books, Songs, Radio, Television And Decades Of Advertising, Headlines, Contrasted With Intimate Conflicts And Writing Notes From Six Decades Of Diaries. Local Dialect, Words Of The Times, Slogans, Brands And Names For The Ever-proliferating Objects, Are Given Voice Here. The Voice We Recognize As The Author's Continually Dissolves And Re-emerges. Ernaux Makes The Passage Of Time Palpable. Time Itself, Inexorable, Narrates Its Own Course, Consigning All Other Narrators To Anonymity. A New Kind Of Autobiography Emerges, At Once Subjective And Impersonal, Private And Collective. On Its 2008 Publication In France, The Years Came As A Surprise. Though Ernaux Had For Years Been Hailed As A Beloved, Bestselling And Award-winning Author, The Years Was In Many Ways A Departure: Both An Intimate Memoir Written By Entire Generations, And A Story Of Generations Telling A Very Personal Story. Like The Generation Before Hers, The Narrator Eschews The I For The We (or They, Or One) As If Collective Life Were Inextricably Intertwined With A Private Life That In Her Parents' Generation Ceased To Exist. She Writes Of Her Parents' Generation (and Could Be Writing Of Her Own Book): From A Common Fund Of Hunger And Fear, Everything Was Told In The We And Impersonal Pronouns.-- Annie Ernaux ; Translated By Alison L. Strayer. First Published In French As Les Années (paris : Gallimard, C2008). "Available in English for the first time, the latest astonishing, bestselling, and award-winning book by Annie Ernaux. The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present -- even projections into the future -- photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns.""-- Provided by publisher "Available in English for the first time, the latest astonishing, bestselling, and award-winning book by Annie Ernaux. The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present -- even projections into the future -- photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns.""-- Résumé de l'éditeur