Theatre Music and Sound at the RSC : Macbeth to Matilda

This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre Shakespeare is a cultural icon whose works are steeped in music, but the revered Royal Shakespeare Company is located in Stratford-upon-Avon, far from the hustle and bustle of London's theatre scene. Yet it is here, in the Midlands, that an exciting laboratory has been developing the practice of theatre music composition and sound design since 1961. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre Front Matter ....Pages i-xviii Prologue (Millie Taylor)....Pages 1-10 Musical Collaborations at the RSC (Millie Taylor)....Pages 11-49 Collaborative Composition at the RSC (Millie Taylor)....Pages 51-91 Electronics, Sound and Fury at the RSC (Millie Taylor)....Pages 93-132 Theatre Music at the RSC (Millie Taylor)....Pages 133-173 From Macbeth to Matilda at the RSC (Millie Taylor)....Pages 175-216 Epilogue (Millie Taylor)....Pages 217-225 Back Matter ....Pages 227-244