The Women Who Knew Too Much : Hitchcock and Feminist Theory

Originally published in 1988, __The Women Who Knew Too Much__ remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory. "Tania Modleski's The Women Who Knew Too Much has become a classic work in feminist film theory and criticism. By looking at seven important films by Alfred Hitchcock, Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense." "The Women Who Knew Too Much argues for a richer understanding of films - and Hitchcock's films in particular - as they concern the female spectator as well as the male spectator." "For this edition, Tania Modleski has written a new chapter in which she discusses the last fifteen years of Hitchcock criticism, and the continued struggle for recognition of a feminist perspective on the filmmaker's work."--Jacket