The White Logic : Alcoholism and Gender in American Modernist Fiction

The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions by W. D. Howells ( The Landlord at Lion's Head ), Jack London ( John Barleycorn ), Ernest Hemingway ( The Sun Also Rises ), F. Scott Fitzgerald ( Tender Is the Night ), John O'Hara ( Appointment in Samarra ), Djuna Barnes ( Nightwood ), and Charles Jackson ( The Lost Weekend ). Crowley considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despairthe White Logic of John Barleycorn, London's nihilistic lord of the spirits.

"There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits.

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Crowley (English, Syracuse U.) examines the relationship between intoxication and addiction in American life and letters during the first half of the 20th century. He focuses on representative fictions by authors such as W.D. Howells, Jack London, Ernest Hemingway, and F. Scott Fitzgerald, defines the "drunk narrative," and considers the historical formation of alcoholism and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. Paper edition (unseen), $14.95. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Examines the relationship between intoxication and addiction in American life and letters during the first half of the 20th century. Focusing on representative fictions, Crowley explains the transition from Victorian to modern paradigms of heavy drinking.