The Way of the World: The Bildungsroman in European Culture, New Edition

Wilhelm Meister, Elizabeth Bennet, Julien Sorel, Rastignac, Jane Eyre, Bazaroz, Dorothea Brooke ... the golden age of the European novel discovers a new collective protagonist: youth. It is problematic and restless youth—“strange” characters, as their own creators often say—arising from the downfall of traditional societies. But even more than that, youth is the symbolic figure for European modernity: that sudden mix of great expectations and lost illusions that the bourgeois world learns to “read”, and to accept, as if it were a novel.__The Way of the World__, with its unique combination of narrative theory and social history, interprets the __Bildungsroman__ as the great cultural mediator of nineteenth-century Europe: a form which explores the many strange compromises between revolution and restoration, economic take-off and aesthetic pleasure, individual autonomy and social normality. This new edition includes an additional final chapter on the collapse of the __Bildungsroman__ in the years around the First World War (a crisis which opened the way for modernist experiments), and a new preface in which the author looks back at __The Way of the World__ in the light of his more recent work. Wilhelm Meister, Elizabeth Bennet, Julien Sorel, Rastignac, Jane Eyre, Bazaroz, Dorothea Brooke ... the golden age of the European novel discovers a new collective protagonist: youth. It is problematic and restless youth—“strange” characters, as their own creators often say—arising from the downfall of traditional societies. But even more than that, youth is the symbolic figure for European modernity: that sudden mix of great expectations and lost illusions that the bourgeois world learns to “read”, and to accept, as if it were a novel. The Way of the World , with its unique combination of narrative theory and social history, interprets the Bildungsroman as the great cultural mediator of nineteenth-century Europe: a form which explores the many strange compromises between revolution and restoration, economic take-off and aesthetic pleasure, individual autonomy and social normality. This new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around the First World War (a crisis which opened the way for modernist experiments), and a new preface in which the author looks back at The Way of the World in the light of his more recent work. "The Way of the World interprets the Bildungsroman as the great cultural mediator of nineteenth-century Europe: a form which explores the many strange compromises between revolution and restoration, economic take-off and aesthetic pleasure, individual autonomy and social normality. This new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around the First World War (a crisis which opened the way for Modernist experiments), and a new preface in which the author looks back at The Way of the World in the light of his more recent work."--Jacket A combination of narrative theory and social history, this new edition includes an additional final chapter on the collapse of the Bildungsroman in the years around World War I (a crisis which opened the way for Modernist experimentation).