The way of the brush : painting techniques of China and Japan

The Way of the Brush: Painting Techniques of China and Japan examines the technique, style, traditions, and methods of Chinese ink painting and how they were interpreted in Japanese art. Illustrated with over 250 images and packed with instructions, The Way of the Brush covers every aspect of brush painting, from brushstrokes, composition and the painting surface to meaning, perspective and artistic philosophy. Part One is a study of the techniques of Chinese painting and explains the elements, techniques and principles which eventually carried over into Japanese painting. Part Two is devoted to technical challenges and basic problems associated with the art, including the issue of fakes and forgeries of Chinese art in Japan. Also included are three appendices and a full bibliography.

the First Paperback Edition Of This Backlist Classic, the Way Of The Brush Examines The Technique, Style, Traditions, And Methods Of Ink-painting. Illustrated With Over 250 Paintings And Packed With Instructions, the Way Of The Brush Covers Every Aspect Of The Art, From Brushstrokes, Composition, And The Painting Surface To Meaning, Perspective, And Artistic Philosophy. Part One Explains The Elements , Techniques, And Principles Of Chinese And Japanese Painting, While Part Two Is Devoted To Challenges Associated With The Art. Also Included Are Three Appendices And A Full Bibliography.
Fritz Van Briessen Lived And Traveled Widely In Asia And Spent Several Years Studying Brush Painting Under The Tutelage Of Peking Landscape Painter P'u Ch'uan.

Examines the technique, style, traditions and methods of ink-painting. Aspects covered include brushstrokes, composition, the painting surface, meaning, perspective, and artistic philosophy. Part one explains elements, techniques and principles, while part two covers the associated challenges. THE STUDY OF THE TECHNIQUES of Chinese painting has been rather neglected in the West, perhaps because technique has been regarded more or less as a handmaiden in the service of the idea, which could therefore be ignored as of secondary importance.