The Wally Lamb Fiction Collection (The Hour I First Believed; I Know This Much Is True; We Are Water; Wishin' and Hopin')

Relocating to a family farm in Connecticut after surviving the Columbine school shootings, Caelum and Maureen discover a cache of family memorabilia dating back five generations, which reveals to Caelum unexpected truths about painful past events.

Wally Lamb's two previous novels, She's Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a "modern-day Dostoyevsky," whose characters struggle not only with their respective pasts, but with a "mocking, sadistic God" in whom they don't believe but to whom they turn, nevertheless, in times of trouble (New York Times).

In The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.

When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues.

While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface.

As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American.

The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.

The Barnes & Noble Review

In the afterword to The Hour I First Believed, Wally Lamb says his long career in teaching influenced his decision to center his new book on the 1999 Columbine High School shooting, in which Eric Harris and Dylan Klebold killed 12 students and one teacher before taking their own lives. For Lamb, the project forced some quite personal reflections:

Could I have acted as courageously as teacher Dave Sanders, who sacrificed his life in the act of shepherding students to safety? Would I have had the strength to attend those memorials and funerals to which I sent my protagonist?

Wally Lamb's two previous novels, She's Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a "modern-day Dostoyevsky," whose characters struggle not only with their respective pasts, but with a "mocking, sadistic God" in whom they don't believe but to whom they turn, nevertheless, in times of trouble (New York Times).In his new novel, The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues.While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface.As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary — and American.The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity. In middle age, Annie Ohwife, mother, and outsider artisthas shaken her family to its core. After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success. Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secretsdark and painful truths that have festered below the surface of the Ohs' lives. We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohsnonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art. With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamba compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives. As her wedding day approaches, Annie Oh, a middle-age wife, mother and artist, finds herself one morning staring at a bed covered in Vera Wang wedding dresses, at the mercy of hopes and fears about the momentous change on the horizon. This is not Annie's first walk down the aisle. She has just emerged from a twenty-seven year marriage to Orion Oh, which produced three children, twins Andrew and Ariane and daughter Marisa. Annie has been trying to reach her ex-husband, as she wants to make sure that he is all right. Orion, a psychologist with a crippling need to help others, keeps assuring everyone that he is fine. But how can he be? Annie, a self-taught artist, is about to marry a woman named Viveca, the sophisticated and seductive art dealer who understands her work and has helped make her enormously successful Caelum Quirk and his wife Maureen move to Colorado and find jobs at Columbine High School. One day in April 1999, when Caelum is called away by a family emergency, Maureen cowers in a cupboard in the school library, hiding from two students on a murderous rampage. Though miraculously she survives, Maureen cannot recover from the trauma. Seeking solace, the couple returns to Connecticut to an illusion of safety on the Quirk family farm. As Maureen fights to regain her sanity, Caelum discovers a cache of forgotten memorabilia spanning five generations of his family. As he painstakingly reconstructs the lives of his ancestors, he must confront their secrets and fashion a future from the ashes of his own tragedy As Annie Oh's wedding day approaches, she finds herself at the mercy of hopes and fears about the momentous change ahead. She has just emerged from a twenty-five year marriage to Orion Oh, which produced three children, but is about to marry a woman named Viveca, a successful art dealer, who specializes in outsider art. Trying to reach her ex-husband, she keeps assuring everyone that he is fine. Except she has no idea where he is. But when Viveca discovers a famous painting by a mysterious local outside artist, who left this world in more than mysterious circumstances, Orion, Annie and Viveca's new dynamic becomes fraught "When high school teacher Caelum Quirk and his wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, while Caelum is away, Maureen finds herself in the library at Columbine, cowering in a cabinet and expecting to be killed. Miraculously, she survives, but at a cost: she is unable to recover from the trauma. When Caelum and Maureen flee to an illusion of safety on the Quirk family's Connecticut farm, they discover that the effects of chaos are not easily put right, and further tragedy ensues"-- Page 4 of cover Anna Oh, A Middle-age Wife, Mother And Artist, Divorces Her Husband After 27 Years Of Marriage To Marry Vivica, The Manhattan Art Dealer Who Orchestrated Her Professional Success. Wally Lamb. Includes Bibliographical References (page 564).