The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema (SUNY series in Feminist Criticism and Theory)

In The Violent Woman, Hilary Neroni Brings Psychoanalytically Informed Film Theory To Bear On Issues Of Femininity, Violence, And Narrative In Contemporary American Cinema. Examining Such Films As Thelma And Louise, Fargo, Natural Born Killers, And The Long Kiss Goodnight, Neroni Explores Why American Audiences Are So Fascinated - Even Excited - By Cinematic Representations Of Violent Women, And What These Representations Reveal About Violence In Our Society And Our Cinema. Neroni Argues That Violent Women Characters Disrupt Cinematic Narrative And Challenge Cultural Ideals, Suggesting How Difficult It Is For Hollywood - The Greatest Of Ideology Machines - To Integrate The Violent Woman Into Its Typical Narrative Structure.--jacket. Complementarity And Its Discontents : An Overview Of Violent Women In American Film -- Expressions Of Masculinity : The Traditions Of Violence In American Film -- Female Murderers : America's Recurring Nightmare -- Romancing Trauma : The Violent Woman In Contemporary American Film -- Violent Women Of Love -- Femininity On The Front Line : Portrayals Of Violent Women In Recent Military Films -- Conclusion : The Long Kiss Goodnight. Hilary Neroni. Includes Bibliographical References (p. 163-195) And Index. Looks at how violent women characters disrupt cinematic narrative and challenge cultural ideals. In *The Violent Woman*, Hilary Neroni brings psychoanalytically informed film theory to bear on issues of femininity, violence, and narrative in contemporary American cinema. Examining such films as *Thelma and Louise*, *Fargo*, *Natural Born Killers*, and *The Long Kiss Goodnight*, Neroni explores why American audiences are so fascinated—even excited—by cinematic representations of violent women, and what these representations reveal about violence in our society and our cinema. Neroni argues that violent women characters disrupt cinematic narrative and challenge cultural ideals, suggesting how difficult it is for Hollywood—the greatest of ideology machines—to integrate the violent woman into its typical narrative structure.