The uses of memory : the critique of modernity in the fiction of Higuchi Ichiyō

The pioneering writer Higuchi Ichiyō (1872-1896) has been described as "the last woman of old Japan," a consummate stylist of classical prose, whose command of the linguistic and rhetorical riches of the premodern tradition might suggest that her writings are relics of the past with no concern for the problems of modern life. Timothy Van Compernolle investigates the social dimensions of Ichiyō's artistic imagination and argues that she creatively reworked the Japanese literary tradition in order to understand, confront, and critique the emerging modernity of the Meiji period. For Ichiyō, the classical canon was a reservoir of tropes and paradigms that could be reshaped and renewed as a way to explore the sociopolitical transformations of the 1890s and cast light upon the human costs of modernization. Drawing critical momentum from the dialogical theory of Mikhail Bakhtin, the author explores in five of Ichiyō's best known stories how traditional rhetoric and literary devices are dialogically engaged with discourses associated with modernity within the pages of Ichiyō's narratives. In its close, sensitive readings of Ichiyō's oeuvre, The Uses of Memory not only complicates the scholarly discussion of her position in the Japanese literary canon, but also broaches larger theoretical issues. Timothy J. Van Compernolle Investigates The Social Dimensions Of Ichiyo's Artistic Imagination And Argues That She Creatively Reworked The Japanese Literary Tradition In Order To Understand, Confront, And Critique The Emerging Modernity Of The Meiji Period. For Ichiyo, The Classical Canon Was A Reservoir Of Tropes And Paradigms That Could Be Reshaped And Renewed As A Way To Explore The Sociopolitical Transformations Of The 1890s And Cast Light Upon The Human Costs Of Modernization. Drawing Critical Momentum From The Dialogical Theory Of Mikhail Bakhtin, The Author Explores In Five Of Ichiyo's Best Known Stories How Traditional Rhetoric And Literary Devices Are Dialogically Engaged With Discourses Associated With Modernity Within The Pages Of Ichiyo's Narratives.--book Jacket. Literary Memory In Modernity -- A Thousand Coins Of Gold -- The Mind Of A Prostitute -- Happiness Foreclosed -- Subjection In The Yoshiwara -- Fantasies Of Success. Timothy J. Van Compernolle. Includes Bibliographical References (p. [219]-252) And Index. The Uses of Memory: The Critique of Modernity in the Fiction of Higuchi Ichiyo Acknowledgments Contents Note to the Reader The Uses of Memory: The Critique of Modernity in the Fiction of Higuchi Ichiyo ONE: Literary Memory in Modernity TWO: A Thousand Coins of Gold THREE: The Mind of a Prostitute FOUR: Happiness Foreclosed FIVE: Subjection in the Yoshiwara SIX: Fantasies of Success Reference Matter Notes Works Cited Index Harvard East Asian Monographs The writer Higuchi Ichiyo (1872-1896) has been described as a consummate stylist of classical prose. Timothy Van Compernolle investigates the social dimensions of Ichiyo's imagination and argues that she reworked the Japanese literary tradition in order to understand and critique the emerging modernity of the Meiji period.