The uncensored picture of Dorian Gray: a reader's edition

“Now, for the first time, we can read the version that Wilde intended…Both the text and Nicholas Frankel's introduction make for fascinating reading.” —Paris ReviewMore than 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication in Lippincott's Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel's first editor.Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find “offensive”—especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it “acceptable to the most fastidious taste.” Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its “immoral” elements.Wilde famously said that The Picture of Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel. More than 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication in Lippincott’s Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel’s first editor. Upon receipt of the typescript, Wilde’s editor panicked at what he saw. Contained within its pages was material he feared readers would find “offensive”—especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it “acceptable to the most fastidious taste.” Wilde did not see these changes until his novel appeared in print. Wilde’s editor’s concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its “immoral” elements. Wilde famously said that The Picture of Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel. More than 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication in Lippincott's Monthly Magazine, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores all of the material removed by the novel's first editor. Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find offensive, especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it acceptable to the most fastidious taste. Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. Wilde famously said that The Picture of Dorian Gray contains much of me. Basil Hallward is what I think I am, Lord Henry what the world thinks me, and! @Dorian what I would like to be, in other ages, perhaps. Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel The Picture of Dorian Gray is a novel by Oscar Wilde that was first published in 1890. It is the story of a young, handsome man named Dorian Gray who becomes corrupted by his own vanity and the influence of a hedonistic friend, Lord Henry Wotton. Dorian makes a Faustian bargain to keep his youth and beauty forever, while a portrait of him ages in his place. The novel explores themes of morality, decadence, and the corrupting influence of beauty and wealth. It is notable for its depiction of homosexuality, which was considered scandalous at the time of its publication. The novel has been adapted into numerous film and stage productions, and is considered a classic of English literature. **The Picture of Dorian Gray** is a philosophical novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical *Lippincott’s Monthly Magazine*. The novel-length version was published in April 1891. (Source: [Wikipedia](https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray)) Over 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores material, including instances of graphic homosexual content, removed by the novel’s first editor, who feared it would be “offensive” to Victorians. Preface. -- General Introduction. -- Textual Introduction. -- The Picture Of Dorian Gray. -- Notes. -- Appendix: The 1891 Preface To The Picture Of Dorian Gray. -- Further Reading. Oscar Wilde ; Edited By Nicholas Frankel. Includes Bibliographical References (p. [241]-257). The uncensored version of the tale of Dorian Gray, a vain hedonist who indulges in every sin he can think of while a painting too repetitive ages instead of him