The Twenty-first Century African American Novel and the Critique of Whiteness in Everyday Life : Blackness As Strategy for Social Change
معرفی کتاب «The Twenty-first Century African American Novel and the Critique of Whiteness in Everyday Life : Blackness As Strategy for Social Change» نوشتهٔ Emine Lâle Demirtürk، منتشرشده توسط نشر Lexington Books/Fortress Academic در سال 2016. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
"This book examines the post-9/11 African American novels, developing a new critical discourse on everyday discursive practices of whiteness. The critique of everyday life in the racial context of post-9/11 American society is important in considering diverse forms of the lived experiences and subjectivities of black people in the novels. They help us see that African American representations of the city have political significance in that the "neo-urban novel" explores the possibility of a black dialogic communication to build a transformative social change. Since the real power of Whiteness lies in its discursive power, the book reveals the urgency to understand not only how whiteness works in everyday life in American society. But it also explores how to cultivate new possibilities of configuring and performing Blackness differently, as a response to the post-9/11 configurations of the culture of fear, to produce new ways of interactional social relations that can eventually openess of postraciality. ^up the space of critical awareness for white people to work against rather than reinforce discursive practices of White supremacy in everyday life. This book explores how the multiple subjectivities and transformative acts of blackness can offer ways of subverting the discursive power of the white embodied practices. What defines post-9/11 America as a nation that is consumed by the fear of racialized terrorists is its roots in the fear of ('uncontrollable') Blackness as excess and ominous threat in the domestic terrain through which the ideology of White supremacy has constructed for governing through Whiteness. African-American urban novels published in the twenty-first century respond to the discursive power of normative Whiteness that regulates black bodies, selves and lives. This book demonstrates how black people contest white dominant social spaces as sites of black criminality and exclusion in an attempt to re-signify them as the sites of black transformative change through peostraciality. rsonal and grassroots activism through their performativity of Blackness as an agential identity formation in their interpersonal urban social encounters with white people. Hence, the vulnerable spaces of Whiteness in interracial urban encounters, as it pervasively addresses those moments of transformative change, enacted by Black characters, in the face of the discursive practices of whiteness in the everyday life. These novels celebrate multifarious representations of black individuals, who are capable of using their agency to subvert White discursive power, in finding ways in their personal and grassroots activism to transform the culture of fear that locates Blackness as such in an attempt to make a difference in the American society at large" -- From the publisher Title Page 4 Copyright Page 5 Dedication 6 Table of Contents 8 Acknowledgments 10 Introduction: The Twenty-First Century and the Invention of “Post-Racial(ized)” Blackness: Discrepant Engagements in the African American “Neo-Urban” Novel 14 1 The Contemporary African American Novel as Strategic Intervention in Post–9/11: Re-Inscriptions of Emmett Till by Olympia Vernon, Daniel Black, and Bernice L. McFadden 38 2 The “Politics of Small Things” as Transformative Change: Living “Thought in Action” in Walter Mosley’s The Right Mistake 86 3 Hybrid Spatialities in “Gentrified” Discursive Terrain: Undoing the Walls of Whitely Modes of Being in Nathan McCall’s Them 140 4 Navigating Interiority in the Interstices of “Black(Police)Man” as Resistance: Transformative Politics of Mourning in Marita Golden’s After 184 5 (Dis)Articulations of Racial Scripts in the Black Performative: Savage Junctures of (Neo)Colonial Whiteness in Walter Mosley’s The Man in My Basement 218 Afterword: Transgressive Performativity of Blackness as Blueprint for Change: Deconstructing the Everyday Whiteness of Postraciality 252 Bibliography 262 Index 290 About the Author 314
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