The Troyes "Mémoire": The Making of a Medieval Tapestry. With Excerpts from the Account Books of the Church of Sainte-Madeleine

Translated with an introduction by Tina Kane. Foreword by Nancy Willard. Latin translated by Robert D. Brown. First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive. The "Troyes Mémoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated into English for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, which introduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive.The'Troyes Mémoire', a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval Troyes: the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation. First English translation of a late fifteenth century manuscript containing instructions for designing a medieval tapestry - the only such to survive. The "Troyes Mmoire", a late fifteenth-century manuscript preserved in the archives of the town of Troyes, France, is the sole surviving example of the written instructions used in designing tapestries during the Middle Ages. It is unique in its presentation of detailed information on how patrons and church officials communicated complex iconographic material to the medieval artists commissioned to paint cartoons for tapestries. It is here translated intoEnglish for the first time, with full introduction and extensive notes. The volume also includes a translation of another richly informative document from medieval the Account Books of the Church of Sainte-Madeleine, whichintroduces us to the actual people who worked together, between 1416 and 1430, to produce a set of tapestries for the town's oldest church. They shed important new light on an era when tapestry represented a supreme form of art. Tina Kane is Conservator, Metropolitan Museum of Art, Department of Textile Conservation. Translated With An Introduction By Tina Kane ; Foreword By Nancy Willard ; Latin Translated By Robert D. Brown. With Excerpts From The Account Books Of The Church Of Sainte-madeleine. Includes Bibliographical References (p. [185]-190) And Index. Translated From The French. List of Illustrations ix Acknowledgments xi Foreword xiii Preface xv Introduction 1 Translator’s Notes 61 The 'Mémoire' 69 Appendix: Excerpts from the Account Books of the Church of Sainte-Madeleine of Troyes 177 Glossary 181 Bibliography 185 Index 191