The Transparent Traveler : The Performance and Culture of Airport Security

At the airport we line up, remove our shoes, empty our pockets, and hold still for three seconds in the body scanner. Deemed safe, we put ourselves back together and are free to buy the beverage we were prohibited from taking through security. In The Transparent Traveler Rachel Hall explains how the familiar routines of airport security choreograph passenger behavior to create submissive and docile travelers. The cultural performance of contemporary security practices mobilizes what Hall calls the "aesthetics of transparency." To appear transparent, a passenger must perform innocence and display a willingness to open their body to routine inspection and analysis. Those who cannot—whether because of race, immigration and citizenship status, disability, age, or religion—are deemed opaque, presumed to be a threat, and subject to search and detention. Analyzing everything from airport architecture, photography, and computer-generated imagery to full-body scanners and TSA behavior detection techniques, Hall theorizes the transparent traveler as the embodiment of a cultural ideal of submission to surveillance. Rachel Hall is Associate Professor of Communication Studies at Louisiana State University, and the author of Wanted: The Outlaw in American Visual Culture. Contents......Page 8 Acknowledgments......Page 10 Introduction. Rethinking Asymmetrical Transparency: Risk Management, the Aesthetics of Transparency, and the Global Politics of Mobility......Page 14 Chapter 1. The Art of Performing Consumer and Suspect: Transparency Chic as a Model of Privileged, Securitized Mobility......Page 38 Chapter 2. Opacity Effects: The Performance and Documentation of Terrorist Embodiment......Page 70 Chapter 3. Transparency Effects: The Implementation of Full-Body and Biometric Scanners at US Airports......Page 90 Chapter 4. How to Perform Voluntary Transparency More Efficiently: Airport Security Pedagogy in the Post-9/11 Era......Page 122 Chapter 5. Performing Involuntary Transparency: The TSA’s Turn to Behavior Detection......Page 144 Conclusion. Transparency Beyond US Airports: International Airports, “Flying” Checkpoints, Controlled-Tone Zones, and Lateral Behavior Detection......Page 170 Notes......Page 192 Bibliography......Page 218 Index......Page 232 At the airport, we line up, remove our shoes, empty our pockets, and hold still three seconds in the body scanner. Deemed safe, we put ourselves back together and are free to buy the beverage we were prohibited from taking through security. In The Transparent Traveler, Rachel Hall explains how the familiar routines of airport security choreograph passenger behavior to create submissive, docile travelers. The cultural performance of contemporary security practically mobilizes what Hall calls the "aesthetics of transparency." Rachel Hall characterizes post-9/11 airport security practices as operating under the "aesthetics of transparency," which requires passengers to perform innocence and be open to inspection—those who cannot are deemed opaque and presumed to be a threat. Travelers are no longer innocent until proven guilty; they are guilty until proven transparent.