The Training of Noh Actors and The Dove^n (Mask Ser. a Release of Acting Resources)

In "The Training of Noh Actors and The Dove", the second volume of his Mask: A Release of Acting Resources, David Griffiths provides a detailed view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Enhanced by the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed), described as "unashamedly" acknowledging its Noh influence. This one-woman piece is a drama with references to its cultural source. First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as'unashamedly'acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.

In the second volume of his Mask: A Release of Acting Resources David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced by the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one woman piece is a sensitive and evocative drama with subtle references to its cultural source. Its potential as an exercise in mask work is excellent.

Focusing on Commedia Dell'Arte, this work provides a historical and critical commentary of the Commedia. It highlights common factors between this genre and that of the Japanese Noh theatre. Included is the play "Please Be Gentle" which explores tricks and devices of Commedia Dell'Arte acting. This work examines the Japanese Noh theatre historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the Noh training. It includes a short play, "The Dove", which reflects the influence of the Noh theatre and provides references to its cultural source. Dedication Contents Introduction to the Series Acknowledgements List of Illustrations Introduction 1. A Brief History of Noh 2. The Training of the Noh Actor 3. An Evaluation of the Treatises of Zeami Introductory Notes to the Dove The Dove Index