The Totality for Kids (Volume 16) (New California Poetry)

__The Totality for Kids__ is the second collection of poems by Joshua Clover, whose debut, __Madonna anno domini__, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between “the brutal red dream/Of the collective” and “the parade/Of the ideal citizen.” The book’s action takes place in these gaps, “dead spaces beside the endlessly grieving stream.” The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern’s excess of signification—as if to return revolutionary possibility to the regime of information by singing it its own song.

Fierce intelligence, fierce understanding of social issues, and fierce sense of the power of artifice. This is major work, haunted by a sense of totality always present in the formal intricacy and in the roles cities and architecture play. I think of these poems as crossing the cool, allusive intricacy of Quentin Tarantino with the abstract, intense social passion of Walter Benjamin.—Charles Altieri, author of The Art of Twentieth-Century American Poetry: Modernism and After

The Totality for Kids is a stunning collection that charts the 'the modern and its endnotes,' as voiced in one Clover poem. There is no conceptual abstraction here without its color, motion, and syntax. The poems form an urban and linguistic landscape of contemporary life, in many ways, written in the shadow of Adorno who himself wrote in the shadows of the modern.
In this brilliant volume, the fragmented world of a late and lost modernity has its own moving and lucid affect, its forms of aliveness. We encounter here an enormous clarity of language in the service of a poetics that brilliantly queries our historical moment in and as form.—Judith Butler, author of Precarious Life: Powers of Mourning and Violence

Publishers Weekly

Clover's long-awaited second collection follows Madonna anno domini (1997), whose inimitable stanzas take in everything from Guy Debord's situationism to New Mexico's WWII nuclear plantationism, and Clover's terrific critical monograph published last year on The Matrix. If what one looks for in a poet is a unique voice, no one else could get away with calling the World Trade Center twin cruets of jizz and sang (and placing them in the time of garbage in the vale of lang), and no one else could compose a poem out of the DVD chapter titles for Godard's Vivre sa vie and make it beautiful. Hemistichic prose, free-verse sonnets, orbiting text spirals, faux pronouncements, multilingual puns and forlorn addresses to Paris comprise a singular set of ideas about what a globalized first-person subject-a client of chance where client is the only role available-might be. The poems take forms that draw toxins out of history (the ferris wheel where they had garrisoned their horses) and infuse them into 21st-century atmosphere: the April air with silver quotation marks. It's totally great. (Apr.) Copyright 2006 Reed Business Information.

Content: Cover Contents Ceriserie Poem (We always send it to the wrong address) Early Style "Alas, that is the name of our town I have been concealing it all this time" Baroque Parable Poem (I come across the paving stones) Blue's 1900 The Other Atelier Aeon Flux: June Auteur Theory Antwerp rainy all churches still haunted OMA A-Shaped Gate Rue des Blancs Manteaux In Jaufré Rudel's Song No More Boffins Chreia Letters and Sodas French Narratives Ça ira Kantine Poem (We are bored in the city) The Dark Ages En Abyme "An archive of confessions, a genealogy of confessions." "Of the city of the dark . . ."Poem (Tired of people, I wanted the mail to come) Valiant en Abyme Feral floats the form in heaven and of light Parable Lestrange Poem (So I went out into the nervous system of the air- ) Aporia A Boy's Own Story Return to Rue des Blancs Manteaux Whiteread Walk Their Ambiguity Whiteread Walk For the Little Soldier Late Style Year Zero What's American About American Poetry? At the Atelier Teleology Acknowledgments Index A B C D E F G H I J K L M N O P Q R S T U V W Z. "The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book's action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern's excess of signification-as if to return revolutionary possibility to the regime of information by singing it its own song."-- Provided by publisher The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book’s action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern’s excess of signification—as if to return revolutionary possibility to the regime of information by singing it its own song. Takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. This book's action takes place in these gaps, "dead spaces beside the endlessly grieving stream", and political furies and erotic imaginings coalesce within a welter of unmoored allusions.