The Sympathy of Things : Ruskin and the Ecology of Design

"'If there is one thing we can learn from John Ruskin, it is that each age must find its own way to beauty' writes Lars Spuybroek in The Sympathy of Things, his ground-breaking work which proposes a radical new aesthetics for the digital era. Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design. Revised throughout, and a new foreword by philosopher Brian Massumi, this is a new edition of a seminal work which has drawn praise from fields as diverse as digital architecture and speculative realism, and will continue to be influential as it wrests Ruskin's ideas out of the Victorian era and reconstructs them for the modern age."--Publisher Cover page Epigraph Halftitle page Title page Copyright page Dedication Contents Illustrations Preface to the Second Edition Preface to the First Edition Foreword Acknowledgments 1 The Digital Nature of Gothic Ruskin: The Nature of Gothic Craft and Code I Believe in Things 2 The Matter of Ornament Ruskin: Wall Veil and Earth Veil An Abstract Materialism Tessellation Ornament and Ribbon Ornament Some Hints on Pattern Designing 3 Abstraction and Sympathy The Mosaic of Experience The Fabric of Sympathy Lipps’s Sympathy and Worringer’s Empathy The Veil Is the Anti-Eidos 4 The Radical Picturesque Forms and Forces Ruskin: The Parasitical Sublime Sublime Things The Technological Wild 5 The Ecology of Design Ruskin: Beauty Is the End A Veil of Strange Intermediate Being Notes Bibliography Index Revised throughout, and with a new foreword by philosopher Brian Massumi, this is the second edition of a seminal work which has drawn praise from fields as diverse as digital architecture and speculative realism, and will continue to be influential as it wrests Ruskin's ideas out of the Victorian era and reconstructs them for the modern age