The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy (THEORY INTERPRETATION NARRATIV)

In __The Submerged Plot and the Mother’s Pleasure from Jane Austen to Arundhati Roy__, Kelly A. Marsh examines the familiar, overt plot of the motherless daughter growing into maturity and argues that it is accompanied by a covert plot. Marsh’s insightful analyses of nineteenth- and twentieth-century Anglophone novels reveal that these novels are far richer and more complexly layered than the overt plot alone suggests. According to Marsh, as the daughter approaches adulthood and marriage, she seeks validation for her pleasure in her mother’s story. However, because the mother’s pleasure is taboo under patriarchy and is therefore unnarratable, the daughter must seek her mother’s story by repeating it. These repetitions alert us to the ways the two plots are intertwined and alter our perception of the narrative progression. Combining feminist and rhetorical narratological approaches, Marsh’s study offers fresh readings of __Persuasion__, __Jane Eyre__, __Bleak House__, __The Woman in White__, __The House of Mirth__, __The Last September__, __The Color Purple__, __A Thousand Acres__, __Bastard Out of Carolina__, __Talking to the Dead__, and __The God of Small Things__. Through these readings, __The Submerged Plot and the Mother’s Pleasure__ explores how the unnarratable can be communicated in fiction and offers a significant contribution to our understanding of narrative progression. "In The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy, Kelly A. Marsh examines the familiar, overt plot of the motherless daughter growing into maturity and argues that it is accompanied by a covert plot ... According to Marsh, as the daughter approaches adulthood and marriage, she seeks validation for her pleasure in her mother's story. However, because the mother's pleasure is taboo under patriarchy and is therefore unnarratable, the daughter must seek her mother's story by repeating it. These repetitions alert us to the ways the two plots are intertwined and alter our perception of the narrative progression. Combining feminist and rhetorical narratological approaches, Marsh's study offers fresh readings of Persuasion, Jane Eyre, Bleak House, The Woman in White, The House of Mirth, The Last September, The Color Purple, A Thousand Acres, Bastard Out of Carolina, Talking to the Dead, and The God of Small Things. Through these readings, The Submerged Plot and the Mother's Pleasure explores how the unnarratable can be communicated in fiction and offers a significant contribution to our understanding of narrative progression"--Publisher's description Plot, Progression, And The Search For The Mother's Unnarratable Pleasure -- The Submerged Plot And The Interrelation Of Progression And Character: Persuasion And Jane Eyre -- Dual And Serial Narration And The Disclosure Of The Submerged Plot: Bleak House And The Woman In White -- The House, The Journey, And The Spaces Of The Submerged Plot: The House Of Mirth And The Last September -- Surviving The Submerged Plot And The Work Of Character Narration: The Color Purple, A Thousand Acres, And Bastard Out Of Carolina -- The End Of Pleasure And The Function Of Time In The Submerged Plot: Talking To The Dead And The God Of Small Things -- The Evolution Of The Search. Kelly A. Marsh. Includes Bibliographical References (pages 267-275) And Index.